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If you like old-fashioned cliffhanger thrills, you'll enjoy CHANDU THE
MAGICIAN. It has everything you could want in a serial adventure- a
dashing
hero, a megalomaniacal villain, an exotic setting, and a series of
hair-raising perils that keeps the scenario rolling until the end.
CHANDU's
plot which concerns the title character's supernatural efforts to prevent
the fiendish Roxor from taking over the world is trite and simplistic.
However, the story's very triteness and simplicity is part of CHANDU's
corny
charm.
CHANDU boasts dazzling set design and fluid cinematography that create a
fascinating, mysterious Egyptian milieu with majestic temple sets and an
atmospheric desert locale. CHANDU's sense of adventure and mystique is
further enhanced by special effects illustrating the powers of both Chandu
and a death ray Roxor plans to employ in his world-domination plot. Even
by
today's Industrial Light and Magic standards, these effects look
impressive.
Edmund Lowe is acceptable in the title role of Chandu but Bela Lugosi in
the
role of Roxor steals the film. Lugosi tackles his part with a demonic
zeal,
displaying odious glee over his scheme in both his facial expressions and
line deliveries. There is little restraint or subtlety in his performance,
but Lugosi projects such persuasive charisma that one can forgive his
indulgences. Overall, CHANDU is no classic, but it's fun escapist
entertainment.
Willian Cameron Menzies does a more than adequate job creating suspense in this early serial-style thriller about a yogi mystic named Chandu protecting the world, his sister and her family, and his Egyptian princess love from the evil megalomaniacal ways of Roxor. Roxor has built a death ray to make himself master of the world. Only trouble is that the inventor will not give him the secret of the ray and Chandu is on to his dastardly scheme. Edmund Lowe makes a dashing, affable hero with his ready wit and his theatrical gestures conjuring magic. Roxor is played with aplomb by heavy Bela Lugosi. Lugosi steals all of his scenes and gives a first-rate performance. Irene Ware as the Princess Nadja makes an attractive, bright leading lady, and the rest of the cast fares well too. A thoroughly nice comedic turn is performed by Herbert Mundin as Mr. Miggles. He is a drunken friend/servant of Chandu and sees himself in miniature every time he takes a drink. The film boasts what must have been relatively high production values for the day. It plays well considering it was made in 1932. There are some great scenes in the film. Menzies, best known for directing Invaders From Mars, uses a very fluid camera. A scene where Chandu looks into a crystal is most impressive as the camera zigs and zags through a Egyptian tomb. Another memorable scene depicts the scientist's daughter, clad only in a tight slip, offered on the slave trading block. The scene was risque for its time to be sure. While Chandu is certainly not a great film, it is definitely a cut above many films made in its time.
Bela Lugosi steals the show of course, but, oddly the lovely Irene Ware
(Miss America of 1929) gives the villainous Bela surprisingly vibrant
opposition, considering this was one of her first films. The rest of the
players (aside from merely adequate hero, Edmund Lowe) are likewise
first-rate. One of my favorite comics, Herbert Mundin, has a wonderfully
meaty part, while gorgeous June Vlasek is just wonderful.
The directors use an inventively roving camera to glide the audience
through
many a fabulously exotic set. The special effects rate as A-1.
Based upon the radio show of the same name this film is the story of
Chandu,, real name Frank Chandler, a white man taught the secrets of the
yogis. Chandler has been set loose to save his family who has been put into
peril by the evil Roxor, played by Bela Lugosi (who not long after would
play Chandu himself in a movie serial).
Containing more action than most serials this is a true popcorn movie that
moves pretty much from start to finish. There are dangers aplenty as Chandu
struggles to save the world.
The film is near perfect, but suffers from a couple of small flaws. The
first is the over use of the small man that Biggles sees each time he
drinks. Chandu enchants Biggles to prevent him from drinking and its used a
couple of time too many. The second is that toward the end the effects look
weak. The underwater sequence is terrible, and the use of rear screen as
people flee the temple is awful.
Still this is a movie to sit down with a big bucket of popcorn and
enjoy.
9 out of 10.
Okay, I'll admit that technically speaking, this film isn't what you'd
expect for a score of 8. After all, this was a very low-budget
production and occasionally it really shows it--though most of the
time, they do make the most of their limited resources. The film does
earn super-high marks, though, for its ability to entertain, as there
is one thrill after another after another--just like a Saturday morning
movie serial condensed into one great package. In fact, it isn't all
that surprising that just two years later they DID make a serial
version of the Chandu character and a couple more movies--though oddly,
he was played by Bela Lugosi in them, while in CHANDU THE MAGICIAN, he
actually played the evil villain!!
Edmund Lowe stars here as Chandu--a Westerner who has "learned the
psychic powers of the East". In other words, he spent years with gifted
Hindu holy men and learned to use their great powers to control mens'
minds. Using hypnosis, Chandu can make just about anyone do or see
anything!! This makes him one heck of an amazing super-hero. Some of
his tricks involved making men think their guns had turned to snakes,
the ability to make doubles of himself to lure away the bad guys and
his funny ability to mess with his man servant whenever he tries to
take a drink!! Aside from comic heroes such as Mandrake, this is a
truly unique character--and a very, very unique one for film. The
closest I can think of are films such as THE COBRA WOMAN and ALI BABA,
but they really aren't the same. Considering how exciting and fun this
film was, I really wished they had made more of them--especially since
the writing was so "seat of your pants" good.
In addition to these cool psychic powers, the film features a death
ray, kidnappings and an evil cult of followers for Lugosi--what more
could you possibly want in an old-time action-suspense film?! This is
really great and exciting stuff--much better than the usual film for
Lugosi or Lowe--who both do an exceptional job in this film. Too bad
they just don't make 'em like they used to.
Sixty or more years ago, I saw this movie in Tehran, Iran. I was about ten at that time and there was a huge poster of the movie in the bicycle shop where I took my bike for repairs. The whole poster was the face of Chandu the Magician with his hands and opened fingers in front of him. I was mesmerized by the supernatural powers of that magician, who could make the audience see things that were not there. It was the first movie I fell in love with, but they didn't show the sequels which I now see on this website had been produced. I was waiting in such earnest to see more of my favorite hero. They were innocent times....
What fun! This is a dandy film of its type.......so corny and the
typical early 30s serial type cliffhanger with lots of dashing around,
ridiculous plot and narrow escapes. The settings with the Egyptian
flavor are simply silly and fake but the special effects are not as bad
as you might expect for an early film.
Edmund Lowe doesn't seem quite right for the part of Chandu.....I would
have pictured someone with a little more exotic look to add just a hint
of mystery. Ricardo Cortez or Nils Asther, although supporting players,
may have been able to pull it off; however, Lowe does a serviceable
job. Of course Lugosi went on to play the part later but appears here
as the arch-villain who is bent on conquering the world with a death
ray stolen from Chandu's brother-in-law. As usual he is over the top
which is just what the film needs....a maniacal bad guy with visions of
grandeur. He is all ham but of course this was his stock in trade and
he pulls out all the stops.
Herbert Mundin is on hand for a little humor which probably wasn't
necessary but he is such a great character actor that you aren't too
put off by it. If you like Mundin, see "Cavalcade", in which he really
gets a chance to show his acting ability which is not all comedic.
If you like films that are camp, don't require you to think too much or
try to figure out character's motivations, this is the one for you. Its
fast, fun and so dumb that you love it. Great for a rainy Saturday
afternoon at the matinée.
*** This review may contain spoilers ***
Wow, they really knew how to make 'em back in the grand old days of
Hollywood. This is the sort of film - step up Kingdom of The Crystal
Skull, I mean you - that would be ruined by CGI and uninventive action
these days. But if you leave your cynical side at home Chandu will
astonish and delight you.
And that's in spite of a leaden performance from Edmund Lowe in the
title role. Lowe plays Frank Chandler - alias Chandu The Magician, a
Caucasian learner of the mystic secrets of Tibetan Yogis. I can't help
thinking he proved the inspiration for Marvel Comics' Doctor Strange;
Chandu even has some sort of Astral Self that comes in handy during his
adventure. An evil scientist named Roxor, played in OPERATIC villain
mode by Bela Lugosi, is determined to wrest the secret of a death ray
from Chandu's brother, attempting to kidnap his family to force the
silly soul (who on Earth would want to invent a death ray in the first
place?) into revealing the secret of its operation.
At times this film is almost a lesson for modern-day superhero movies
in the imaginative use of powers. In a pre-Hayes Code sequence
Chandler's niece is about to be sold into slavery in Cairo (not exactly
politically correct these days) when our mystic hero stages a
brilliantly inventive rescue. There's a touch of Sherlock Holmes, Robin
Hood and Steven Strange about it all. All I know is that it works
beautifully.
Some lavish sets, pleasing miniatures and glossy cinematography only
add to the effect. There's a few poor back projection process shots
near the end, but this doesn't spoil things. In all this is a terrific
adventure movie, with more old-time thrills and serial escapes than
many a current blockbuster.
Leave your brain at the door, because Chandu the Magician (utilizing
his Powers from the Mysterious East) is about to enchant you into
believing that trash is pure gold!
This pre-code potboiler from Fox Films introduces Edmund Lowe as Chandu
the Magician, an American who has learned almost supernatural powers
from the Yogi of the East. He can control men's minds, he possesses
powerful protective powers of divination, he can walk on fire or
astrally project or perform any number of other miraculous feats.
For reasons that defy logic, Chandu's brother(?) Robert, a Scientist,
has been working on developing a Death Ray which can take out an entire
city. Just as Robert has finally perfected this project, the evil Roxor
(the fabulous Bela Lugosi as "That Monster in Human Form") and his
Arabic henchmen kidnap Robert in an attempt to wrest the Secret of the
Death Ray from its creator.
In the meantime, Chandu has fallen in with the beautiful Egyptian
Princess Nadji, with whom he has been in love for 3 years... Princess
Nadji is also in love with Chandu, but has been sacrificing herself
Most Nobly for her People. Will these unusual interracial lovers find
happiness at last? (Since miscegenation was illegal in many parts of
the U.S. during this period in history, this is actually a genuine
question!)
Of course, Princess Nadji falls into the clutches of the evil Roxor,
and a great deal of deranged soliloquizing follows in the villain's
Super-Scientific Laboratory (filled with the requisite Bride of
Frankenstein-like crackling electrical apparatus). Will Robert have the
strength to keep his Secret of the Death Ray before Roxor has tortured
or destroyed all of his loved ones? Will Chandu be able to find Roxor's
secret lair in time to Save the World and rescue Robert and the
Princess?
In the directorial hands of Marcel Varnel and the brilliant William
Cameron Menzies, this unpromising material becomes a stylish-looking,
stunningly photographed and beautifully paced bonbon of pulp-y
goodness.
If you are in the mood for a campy, beautifully designed, fast-moving
melodramatic kiddie-matinée "thriller", I highly recommend this movie.
Yummy, stupid, enchanting... and surprisingly progressive about
miscegenation for a 1930's film that otherwise wallows in racial
stereotypes!
*** This review may contain spoilers ***
I found it impossible to really enjoy this movie, probably because I'm
not a ten-year-old kid listening to the radio in 1932. I'm considerably
older and I'm watching television where these idiotic people are
running around in costumes that belong in a stage magician's trunk.
It's a cheaply construed action-filled mystery story. Edmund Lowe is
Chandru, a student of Oriental mysticism who has learned the arts of
yoga, the transmutation of the alter self, and the power to cloud men's
minds. Wait -- that last is from "The Shadow", but what's the
difference? Audiences of the time, I suppose, were familiar with these
characters from the nightly radio shows. There's Chandru. There's his
main squeeze, Princess Nadji. There's Bela Lugosi as the palindromic
Roxor. And then there's an innocent scientist who has invented a death
ray, and his family too. It just occurs to me. If the scientist is such
a nice, innocent man, why would he want to invent a death ray? At any
rate, man does Lugosi want to get his hands on that death ray gun. "I
wheel make everybody eento a SLAVE." He plays the role perfectly
straight, which is to say he hams it up outrageously. He looks fine,
though, dressed in a black blouse buttoned up to the neck like
Rasputin.
William Cameron Menzies directed it and is responsible for the
impressive special effects and the set dressing -- Ancient and Modern
Egypt. The audio commentary on the DVD is more interesting than the
movie. It's filled with irony and authority.
Example: The innocent scientist's daughter is abducted by Lugosi and,
to induce the scientist to reveal his secrets, the daughter is put up
on the block to be auctioned into the harem of one of the swarthy men
in a crowd of libidinous foreigners, goggle-eyed with lust.
Now, the daughter is played by June Lang, who was only fifteen years
old when this was released. She's gotten up in a Jean Harlow platinum
do and a slinky silken gown. She's standing up there on the block, all
disheveled and virginal. Her real name is June Vlasic. "Looks like
June's in a pickle," says the commentator. Oh, he's a very helpful
commentator. Like Jean Harlow, June Lang seems to eschew the use of any
thoracic undergarments. "Now if you look closely, you'll see what the
censors in Ontario saw." I'll tell you the truth. June Lang can't act
but I'd have put in a bid for her anyway. I'd have bid half my worldly
assets even though, granted, she's probably worth more than $254.67. I
wonder how that would convert into shekels or dinars or whatever they
used for currency in 1932 Egypt. Dried dates?
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