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Central Park (1932)

6.4
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Ratings: 6.4/10 from 128 users  
Reviews: 8 user | 1 critic

Rick and Dot, two penniless New Yorkers, meet and fall in love in Central Park. Promising to meet later, they separate. Dot is picked up by small-time hood Nick Sarno, posing as a police ... See full summary »

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Title: Central Park (1932)

Central Park (1932) on IMDb 6.4/10

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Cast

Complete credited cast:
...
Dot
Wallace Ford ...
Rick
Guy Kibbee ...
Policeman Charlie Cabot
Henry B. Walthall ...
Eby
...
Robert Smiley
Harold Huber ...
Nick Sarno
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Storyline

Rick and Dot, two penniless New Yorkers, meet and fall in love in Central Park. Promising to meet later, they separate. Dot is picked up by small-time hood Nick Sarno, posing as a police inspector, who promises to pay her $100 to help in a sting operation at a local charity benefit. She agrees, unaware that Nick and his gang are merely using her to steal the charity receipts themselves. Rick, picked up by Sarno for being seen talking to Dot, is held captive by the gang at their hideout. He breaks loose and rushes to the charity affair to try to save Dot before she becomes involved in the heist. Written by Doug Sederberg <vornoff@sonic.net>

Plot Summary | Add Synopsis

Genres:

Crime | Drama | Romance

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Details

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Language:

Release Date:

10 December 1932 (USA)  »

Also Known As:

Il giardino del diavolo  »

Company Credits

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 »
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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Willard Robertson is in casting call lists for the role of "Captain of Detectives", but was not seen in the print. See more »


Soundtracks

Three's a Crowd
(1932) (uncredited)
Music by Harry Warren
Played by the orchestra at the benefit
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User Reviews

Take that, Vicki Baum!
1 October 2007 | by (Los Angeles, CA) – See all my reviews

A lightning-paced Grand Hotel knockoff that crams more incidents into its brief running time than most films twice as long. It's a marvel of fat-free story telling, hokey, predictable and rarely less than delightful. Manhattan's famous landmark is re-imagined as an urban Sherwood Forest filled with merry paupers, evil bandits, benevolent Irish cops, homicidal madmen, and even a herd of braying sheep. Destitute Wallace Ford and Joan Blondell meet in the park, trading flirtatious smiles and glib wisecracks in the face of hunger and homelessness. The action quickly shifts into overdrive when Joan is suckered into a gangster's robbery scam. Meanwhile, a vengeance-seeking psycho prowls the park and an abused lion escapes from the zoo. John Adolphi, director of George Arliss' screen vehicles, seems to bask in his freedom from stodgy period pieces, taking lurid pleasure in protracted fistfights, gory lion maulings, and Blondell's plunging décolletage. His lowbrow enthusiasm is infectious. With Guy Kibbee in a rare non-comic turn as a park cop dreading retirement, John Wray as the giggly, eye-rolling maniac.


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