Wild girls at a college pay more attention to parties than their classes. But when one party girl, Stella Ames, goes too far at a local bar and gets in trouble, her professor has to rescue ... See full summary »
Street people Armand and Marie are madly in love, and she persuades Armand and other gang members to rob the home of Pierre Marcel, a wealthy scientist. The police break up the robbery but ... See full summary »
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Prints are rare. A fully restored print does exist, however, and is stored at the Museum of Modern Art. See more »
After Nasa is attacked (and impregnated) by Larry Crosby, the next title card says "One Month Later in New Orleans". Even allowing her baby to be a healthy preemie, the title card is wrong biologically and in keeping with the story. See more »
A good historical example, though, of how films were generally more puritanical during the middle of the 20th century than beforehand. In this movie, which veers from camp to slightly surreal melodrama, viewers are treated to a wide range of prominent details that they might not expect from such an old film.
For example, we see Clara Bow playing a promiscuous young woman (though this is eventually explained away with an excuse unlikely to be used today). Her nipples are clearly displayed (through a sheer blouse, no bra) for quite a long time, and there's an undeniable S&M scene in which she whips a forbidden love interest.
There's a frank, even casual approach taken to extramarital sex, adultery, interracial liaisons, and prostitution, and we even see a working-class gay bar complete with transvestite cabaret.
Most of these topics are treated so unjudgmentally that I was really curious if the director had any opinion at all, and I wondered how a contemporaneous audience, with both the Roaring Twenties and the stock market crash recently behind them, would have viewed the film.
An interesting film, very watchable (and frequently unintentionally amusing, to the modern eye), and, of course, historically important for being a Clara Bow talkie.
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