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Call Her Savage (1932)
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Overview
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Release Date:
27 November 1932 (USA)
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Tagline:
The throbbing adventures of a woman who unleashed her heart...so revelatory...so courageous in its searching depiction of the secret things in a woman's life that its burning words left a trail of readers breathless and amazed. more
Plot:
Sexy Texas gal storms her way through life, brawling and boozing until her luck runs out, forcing her to learn the errors of her ways.
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Clara Bow - a Revelation!
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Cast
(Complete credited cast)| Clara Bow | ... | Nasa Springer | |
| Gilbert Roland | ... | Moonglow | |
| Thelma Todd | ... | Sunny De Lane | |
| Monroe Owsley | ... | Lawrence Crosby | |
| Estelle Taylor | ... | Ruth Springer | |
| Weldon Heyburn | ... | Ronasa | |
| Willard Robertson | ... | Pete Springer | |
| Anthony Jowitt | ... | Jay Randall | |
| Fred Kohler | ... | Silas Jennings | |
| Russell Simpson | ... | Old Man in Wagon Train | |
| Margaret Livingston | ... | Molly | |
| Carl Stockdale | ... | Mort | |
| Dorothy Peterson | ... | Silas' Wife |
Additional Details
Parents Guide:
Runtime:
88 min (FMC Library Print) (copyright length)
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Color:
Aspect Ratio:
1.37 : 1 more
Sound Mix:
Mono (Western Electric System)
Certification:
USA:TV-PG (TV rating)
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Soundtrack:
Oh! Susanna
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Beautiful, in a modern way (contrast with co-star Thelma Todd), facile with her lines, natural with her mannerisms, this lady can act! And she has a fine voice, so the "couldn't make the transition to talkies" bit doesn't apply here.
And the off-screen items that supposedly led to her decline are pretty lame explanations. I mean, suing someone who embezzled her was supposed to be scandalous? Even back then? What was she supposed to do, sue by proxy? I smell a John Gilbert-style studio sabotage of a "difficult star" here.
Back to the film. Call Her Savage is a Bow vehicle throughout, showcasing her broad range. Though an interesting nature-vs-nurture yarn, with frank pre-Code allusions to sexual kink and promiscuity which give us a peek into the mentality of the age, the stagy mannerisms that are the baggage of the silent era make for a somewhat dated melodrama. And the direction is pretty awful, too. But Bow manages to isolate herself from these drawbacks; in fact, throughout the film, she distinguishes herself from her surroundings. Isn't this star power?
Ordinarily, this film would score a6 or 7, but I give it a 9 because it's a rare opportunity to watch an actress whose star never should have faded.