IMDb > Call Her Savage (1932)

Call Her Savage (1932) More at IMDbPro »

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Overview

User Rating:
7.4/10   206 votes
MOVIEmeter: ?
Down 16% in popularity this week. See why on IMDbPro.
Writers:
Edwin J. Burke (screenplay)
Tiffany Thayer (novel)
Release Date:
27 November 1932 (USA) more
Genre:
Tagline:
The throbbing adventures of a woman who unleashed her heart...so revelatory...so courageous in its searching depiction of the secret things in a woman's life that its burning words left a trail of readers breathless and amazed. more
Plot:
Sexy Texas gal storms her way through life, brawling and boozing until her luck runs out, forcing her to learn the errors of her ways. more | add synopsis
User Comments:
Clara Bow - a Revelation! more (14 total)

Cast

  (Complete credited cast)

Clara Bow ... Nasa Springer
Gilbert Roland ... Moonglow
Thelma Todd ... Sunny De Lane
Monroe Owsley ... Lawrence Crosby
Estelle Taylor ... Ruth Springer
Weldon Heyburn ... Ronasa
Willard Robertson ... Pete Springer
Anthony Jowitt ... Jay Randall
Fred Kohler ... Silas Jennings
Russell Simpson ... Old Man in Wagon Train
Margaret Livingston ... Molly
Carl Stockdale ... Mort
Dorothy Peterson ... Silas' Wife
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Additional Details

Runtime:
88 min (FMC Library Print) (copyright length)
Country:
Language:
Aspect Ratio:
1.37 : 1 more
Sound Mix:
Mono (Western Electric System)
Certification:
USA:TV-PG (TV rating)

Fun Stuff

Trivia:
Co-stars Clara Bow and Thelma Todd were both born on 29 July, 1905. more
Movie Connections:
Featured in Girl 27 (2007) more
Soundtrack:
Oh! Susanna more

FAQ

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8 out of 10 people found the following comment useful.
Clara Bow - a Revelation!, 23 January 2005
9/10
Author: jacksflicks from Hollywood

Beautiful, in a modern way (contrast with co-star Thelma Todd), facile with her lines, natural with her mannerisms, this lady can act! And she has a fine voice, so the "couldn't make the transition to talkies" bit doesn't apply here.

And the off-screen items that supposedly led to her decline are pretty lame explanations. I mean, suing someone who embezzled her was supposed to be scandalous? Even back then? What was she supposed to do, sue by proxy? I smell a John Gilbert-style studio sabotage of a "difficult star" here.

Back to the film. Call Her Savage is a Bow vehicle throughout, showcasing her broad range. Though an interesting nature-vs-nurture yarn, with frank pre-Code allusions to sexual kink and promiscuity which give us a peek into the mentality of the age, the stagy mannerisms that are the baggage of the silent era make for a somewhat dated melodrama. And the direction is pretty awful, too. But Bow manages to isolate herself from these drawbacks; in fact, throughout the film, she distinguishes herself from her surroundings. Isn't this star power?

Ordinarily, this film would score a6 or 7, but I give it a 9 because it's a rare opportunity to watch an actress whose star never should have faded.

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