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-But the Flesh Is Weak (1932)

Passed  -  Comedy  -  9 April 1932 (USA)
5.7
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Ratings: 5.7/10 from 120 users  
Reviews: 10 user | 1 critic

The Clements father and son live by the generosity of rich women. Max, the son, sets his sites on Lady Joan, who is rich, but down-to-earth and charming. At her house he meets Rosine Brown,... See full summary »

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Title: -But the Flesh Is Weak (1932)

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Cast

Complete credited cast:
...
Nora Gregor ...
Mrs. Rosine Brown
Heather Thatcher ...
Lady Joan Culver
...
Sir George Kelvin
...
Florian Clement
...
Prince Paul
Frederick Kerr ...
Duke of Hampshire
Eva Moore ...
Lady Florence Ridgway
Forrester Harvey ...
Gooch
Desmond Roberts ...
Findley
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Storyline

The Clements father and son live by the generosity of rich women. Max, the son, sets his sites on Lady Joan, who is rich, but down-to-earth and charming. At her house he meets Rosine Brown, an Austrian widow involved with a rich man. Instantly infatuated with her, Max pursues Rosine until she relents and agrees to marry him. But the elder Clement loses 4500 pounds gambling and Max decides he must marry Joan to prevent his father's imprisonment. Written by Ron Kerrigan <mvg@whidbey.com>

Plot Summary | Add Synopsis

Genres:

Comedy

Certificate:

Passed | See all certifications »
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Details

Country:

Language:

Release Date:

9 April 1932 (USA)  »

Also Known As:

But the Flesh Is Weak  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Quotes

Lady Joan Culver: Just my luck! I've been out for ten years, and I've never been so much as hinted at!
See more »

Connections

Version of Free and Easy (1941) See more »

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User Reviews

 
Very mediocre, but still interesting
18 July 2012 | by (SoCal) – See all my reviews

This film is a fine example, I believe, of the many, many, many mediocre films in which the so-called "bright stars" of the past participated in.

Not unlike today, the VAST majority of Classic Hollywood's film productions were very dull and uninspired affairs; the comedies were often unfunny and the dramas were undramatic. Today, film festivals, universities and cable TV (TCM & AMC) generally display the best of the best from the Golden Years, so today's viewers becomes bias towards imagining that most of Classic Hollywood's films were indeed "classic." That, of course, is far from the truth. "But the Flesh is Weak" is a fine case in point.

It is a slightly enjoyable bit of fluff. Montgomery is well cast, but has little to do and a weak script with which to do it. C. Aubrey Smith is, well, C. Aubrey Smith--good as ever, but no surprises. Nora Gregor tries hard but falls flat. I tried to like her character, but in the end I couldn't see why most men would pant after this girl. Strangely, Heather Thatcher has a much stronger and interesting character, and she nails her "Lady Joan" nicely. When Thatcher was on the screen, I enjoyed the film much more. At times, Thatcher and Ann Harding could be confused as sisters.

So, sit back for a scant 77 minutes (they could've knocked 10 minutes off the running time), and see what a mediocre film from the pre-Code era with a big star was like. Today we pay hundreds of millions of dollars for so much mediocre nonsense on our movie screens, so why not check out this minor film from 1932.

Again, it isn't bad, but it will not receive many accolades.


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