Insects have made a playground/carnival out of castoffs, featuring "ice skating" on mirrors. Two love bugs head off to a more private area. But their fun is interrupted when a crow comes by... See full summary »
A salt water version of "Water Babies" (1935); adorable redheaded 'merbabies' materialize out of the crashing surf and proceed to the sea floor where they conduct a circus along with a ... See full summary »
A kitchen is filled with houseflies. A spider wakes up and plays his web like a harp, attracting a pair of them; the female is trapped, and the male summons the cavalry, which arrives ... See full summary »
Insects have made a playground/carnival out of castoffs, featuring "ice skating" on mirrors. Two love bugs head off to a more private area. But their fun is interrupted when a crow comes by. He bottles up the male bug and chases the female into her home. The male bug escapes in the nick of time, and another bug notices the battle and rallies the rest of the bugs to attack, which they do, using false teeth, an eggbeater, a mousetrap, castor oil, and other things. Written by
Jon Reeves <firstname.lastname@example.org>
Scores of happy insects are frolicking in the forest & finding many happy ways to keep themselves entertained. In particular, two BUGS IN LOVE are discovering that creepy crawly romance is sweet - that is, until a nasty hungry crow shows up to spoil their day...
Lots of ingenious sight gags, in this black & white cartoon, as Disney's animators explore things insectoid (for example, notice the centipede skin rug).
The SILLY SYMPHONIES, which Walt Disney produced for a ten year period beginning in 1929, are among the most interesting of series in the field of animation. Unlike the Mickey Mouse cartoons in which action was paramount, with the Symphonies the action was made to fit the music. There was little plot in the early Symphonies, which featured lively inanimate objects and anthropomorphic plants & animals, all moving frantically to the soundtrack. Gradually, however, the Symphonies became the school where Walt's animators learned to work with color and began to experiment with plot, characterization & photographic special effects. The pages of Fable & Fairy Tale, Myth & Mother Goose were all mined to provide story lines and even Hollywood's musicals & celebrities were effectively spoofed. It was from this rich soil that Disney's feature-length animation was to spring. In 1939, with SNOW WHITE successfully behind him and PINOCCHIO & FANTASIA on the near horizon, Walt phased out the SILLY SYMPHONIES; they had run their course & served their purpose.
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