7.2/10
3,202
46 user 33 critic

Blonde Venus (1932)

Passed | | Drama | 28 October 1932 (Hungary)
A cabaret singer takes up with a millionaire to pay for her gravely ill husband's operation.

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Cast

Complete credited cast:
...
...
...
Nick Townsend
...
Johnny Faraday
...
Ben Smith
...
Taxi Belle Hooper
Robert Emmett O'Connor ...
Dan O'Connor
...
Detective Wilson
...
Dr. Pierce
Rest of cast listed alphabetically:
...
Charlie, the Bartender (unconfirmed)
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Storyline

American chemist Ned Faraday marries a German entertainer and starts a family. However, he becomes poisoned with Radium and needs an expensive treatment in Germany to have any chance at being cured. Wife Helen returns to night club work to attempt to raise the money and becomes popular as the Blonde Venus. In an effort to get enough money sooner, she prostitutes herself to millionaire Nick Townsend. While Ned is away in Europe, she continues with Nick but when Ned returns cured, he discovers her infidelity. Now Ned despises Helen but she grabs son Johnny and lives on the run, just one step ahead of the Missing Persons Bureau. When they do finally catch her, she loses her son to Ned. Once again she returns to entertaining, this time in Paris, and her fame once again brings her and Townsend together. Helen and Nick return to America engaged, but she is irresistibly drawn back to her son and Ned. In which life does she truly belong? Written by Gary Jackson <garyjack5@cogeco.ca>

Plot Summary | Add Synopsis

Taglines:

From the lips of one MAN to the arms of another! See more »

Genres:

Drama

Certificate:

Passed | See all certifications »
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Details

Country:

Language:

| |

Release Date:

28 October 1932 (Hungary)  »

Also Known As:

Deep Night  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

| (video: cut)

Sound Mix:

(Western Electric Noiseless Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Cary Grant said that Josef von Sternberg directed him not really much during the filming, but taught him the most important thing. On the first day Grant came on the set, von Sternberg looked at him and said, "Your hair is parted on the wrong side." So Grant parted it on the other side and kept it that way the rest of his career. See more »

Quotes

Helen Faraday, aka Helen Jones: Snap out of it, kid. Tomorrow's another day.
Down-and-out woman in flophouse: Maybe for you, but not for me.
Helen Faraday, aka Helen Jones: Why? What's the matter with tomorrow?
Down-and-out woman in flophouse: I'm gonna' kill myself tomorrow. *That's* what's the matter with it.
Helen Faraday, aka Helen Jones: Me too. Make a hole in the water.
Down-and-out woman in flophouse: Why are *you* gonna' kick off?
Helen Faraday, aka Helen Jones: Because that's the way I feel. Isn't that reason enough?
Down-and-out woman in flophouse: That's no reason for anything. I've got a GOOD reason: haven't got a dime. Never had any money, and I never WILL have.
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Crazy Credits

Opening credits are shown with a background of water reflected at a swimming hole. As the credits end, we see women swimming in the swimming hole. See more »


Soundtracks

Treue Liebe Nur du allein
Music by Friedrich Silcher
Played during opening credits and as background music several times
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User Reviews

 
One of Dietrich's best
6 December 1998 | by (Tonsberg, Norway) – See all my reviews

Josef von Sternberg would, no doubt, dismiss this film as one of his lesser works. Yet, to me,"Blonde Venus" sort of defines his relationship with Marlene Dietrich. The combined attraction of the harlot-mother gives Marlene's acting both sexual radiance and that intimate, moody quality that is so unique to her.

Just watch her in the scenes with her baby boy. She is lovely, glamorous, yet totally attentive to the child's needs, protective and unselfconscious in a way that only Carole Lombard (see "Made for each other" for evidence) managed back in those days. Her presence is so strong that she makes the male stars seem awkward and rigid. Herbert Marshall looks ill at ease, (probably from lack of directorial attention) while Cary Grant sails through the movie, unblessed by inspiration.

This is Marlene's film, through and through. The plot is silly beyond words (suffering in mink, writ large!) but Marlene makes it memorable. Her close-ups in the scene at the railway-station when she realizes she has lost her family tells it all. A lost soul with nowhere to go but down. Von Sternberg (or some intrusive producer) tacked on a happy ending, but the movie really ended there, on a bench. The rest is just wish-fulfilment.


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