7.2/10
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14 user 9 critic

Blessed Event (1932)

Al Roberts writes a gossip column for the Daily Express. He will write about anyone and everyone as long as he gets the credit. He gets into a little difficulty with a hood named Goebel who... See full summary »

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(screen play) (as Howard Green), (based on the play: "Blessed Event" by) | 1 more credit »
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Cast

Complete credited cast:
...
...
...
...
Frankie Wells
...
Miss Stevens
...
Mrs. Roberts
...
Sam Gobel
...
George Moxley
Walter Walker ...
Mr. Miller
...
Reilly
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Storyline

Al Roberts writes a gossip column for the Daily Express. He will write about anyone and everyone as long as he gets the credit. He gets into a little difficulty with a hood named Goebel who sends Frankie to talk to Alvin. But Al has the confession of Frankie on cylinders so Frankie becomes his own bodyguard and information line. One person Al is always taking digs at is crooner Bunny Harmon, because he hates crooners. When he writes a story about Dorothy's blessed event, he comes to regret destroying her life. But more importantly to Al and Frankie, her man may end 'Spilling the Dirt' permanently. Written by Tony Fontana <tony.fontana@spacebbs.com>

Plot Summary | Add Synopsis

Taglines:

Here it is! The scandalous comedy of a scandal columnist who rose FROM A KEYHOLE TO A NATIONAL INSTITUTION

Genres:

Drama | Comedy

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Details

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Release Date:

10 September 1932 (USA)  »

Also Known As:

Bisbilhotices  »

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Aspect Ratio:

1.37 : 1
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Did You Know?


Connections

Referenced in Week-End Marriage (1932) See more »

Soundtracks

I'm Makin' Hay in the Moonlight
(1932) (uncredited)
Music by Jesse Greer
Lyrics by Tot Seymour
Copyright 1932 by M. Witmark & Sons
Sung by Dick Powell
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User Reviews

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18 October 2000 | by See all my reviews

Obscure and almost forgotten, this is a gem of the type of picture Warner Brothers did best in the 30s. Earthy, moving at a breakneck pace, packed with dialogue that snaps, crackles and pops, it is super entertainment. The Warners look and feel are everywhere, along with several key members of the studio's stock company. The humor (and there is lots of it) has a sardonic edge, much in keeping with the overall tone of the story. Lee Tracy's vivid description of life and death in the electric chair is a grisly, repulsive comedy turn. In an excellent cast, special attention to poor uncredited Isabel Jewell - perhaps just a bit more strident than the role required, but delivering an on-edge performance you will not soon forget.


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