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The Blue Light (1932)

Das blaue Licht (original title)
When the moon is full, young men die attempting to reach the mysterious blue light in the mountains.

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Cast

Cast overview:
...
Mathias Wieman ...
Vigo
Beni Führer ...
Tonio
Max Holzboer ...
Innkeeper
Martha Mair ...
Lucia
Franz Maldacea ...
Guzzi
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Storyline

Junta is hated by the people in the village where she lives, especially by the women, who suspect her of being a witch. Only she can climb the nearby mountains to a cave high up, whence a mysterious blue light glows when the moon is full. Many young men of the village have died trying to follow her. She is driven out of town, and takes to living in the mountains. Eventually she shares the secret of the blue light with one man, and he betrays it. Written by John Oswalt <jao@jao.com>

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Genres:

Drama | Fantasy | Mystery

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Details

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Release Date:

8 May 1934 (USA)  »

Also Known As:

The Blue Light  »

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Technical Specs

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Sound Mix:

(Tobis-Klangfilm)

Aspect Ratio:

1.37 : 1
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Trivia

Adolf Hitler counted this film among his favorites. It prompted him to ask director Leni Riefenstahl to shoot _Triumph des Willens (1934)_, the famous documentary of the Sixth Nazi Party Congress in Nuremberg. See more »

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User Reviews

 
Visually stunning mountain film!!!
11 April 2001 | by See all my reviews

`Das blaue Licht' (The Blue Light) tells the legend of Junta, a strange woman living in the Alpine heights above a Tyrolean village, who has privileged access to a cave of crystals. On full-moon nights a blue light emanates from this secret grotto, luring young men from the valley to seek out the force of the radiant beam. Their quest invariably end in death and causes the towns-people to vilify junta. A painter from Vienna, Vigo, befriends the outcast woman. He becomes her protector and falls in love with her. Following her one blue-lit night, he discovers the way to the cave. He draws a map, thinking that the safe passage to the grotto will serve the best interest of both Junta and the villagers. The towns-people arm themselves with tools and climb to the cave, plundering the valuable crystals and celebrating their new found fortune. Riefenstahl's film -(fantasy) sanctifies nature and reflects a fascination with beauty and harmony. The photography of this picture is visually stunning, and Riefenstahl's masculine beauty and physical abilities make her the perfect choice for the role of Junta. `Das blaue Licht' is one of the last great Weimar films and a ‘must see' not only for movie buffs.


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