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The Blue Light (1932)
"Das blaue Licht" (original title)

7.0
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Ratings: 7.0/10 from 708 users  
Reviews: 16 user | 7 critic

Junta is hated by the people in the village where she lives, especially by the women, who suspect her of being a witch. Only she can climb the nearby mountains to a cave high up, whence a ... See full summary »

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Title: The Blue Light (1932)

The Blue Light (1932) on IMDb 7/10

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Cast

Cast overview:
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Mathias Wieman ...
Beni Führer ...
Max Holzboer ...
Martha Mair ...
Franz Maldacea ...
Guzzi
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Storyline

Junta is hated by the people in the village where she lives, especially by the women, who suspect her of being a witch. Only she can climb the nearby mountains to a cave high up, whence a mysterious blue light glows when the moon is full. Many young men of the village have died trying to follow her. She is driven out of town, and takes to living in the mountains. Eventually she shares the secret of the blue light with one man, and he betrays it. Written by John Oswalt <jao@jao.com>

Plot Summary | Add Synopsis

Genres:

Drama | Fantasy | Mystery

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Details

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Release Date:

8 May 1934 (USA)  »

Also Known As:

The Blue Light  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Tobis-Klangfilm)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Adolf Hitler counted this film among his favorites. It prompted him to ask director Leni Riefenstahl to shoot _Triumph des Willens (1934)_, the famous documentary of the Sixth Nazi Party Congress in Nuremberg. See more »

Connections

Featured in Die Nacht der Regisseure (1995) See more »

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User Reviews

 
Gorgeously shot, leisurely paced.
5 July 1999 | by (Canberra, Australia) – See all my reviews

Leni Riefenstahl, soon to become notorious as Hitler's favorite director, made her directorial debut with this vivid and beautiful film. It tells the tale of a mysterious blue light on top of a mountain that lures young men to their deaths. The only person who can reach it is a young outcast played by Riefenstahl herself. She is exquisitely beautiful - so much so that I am amazed Hollywood did not beckon.

It's all a bit Freudian and far too slow at times, but the photography is so sublime that it doesn't matter. Black and White has seldom looked so beautiful and the use of light is magnificent. Riefenstahl certainly knew how to film and light faces (including her own), a talent that would later enhance her propaganda films for the Nazis. This film is more than an historical curiosity - it is quite a work of art.


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