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A Bill of Divorcement (1932)

Passed | | Drama | 30 September 1932 (USA)
A man, Hilary Fairfield returns home after fifteen years in a mental asylum. However, he finds things are not the way they were when he left.

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Writers:

(screen play), (screen play) | 1 more credit »
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1 win. See more awards »
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Cast

Complete credited cast:
...
...
David Manners ...
Kit
...
...
Gray
Henry Stephenson ...
Gayle Evers ...
Elizabeth Patterson ...
Hester
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Storyline

After spending fifteen years in an asylum, Hilary Fairfield escapes from the institution after regaining his sanity. He finds that things at home are different than when he left them. His wife has divorced him and is already planning her next marriage, and his daughter has grown up throughout the years and is planning to marry as well. Written by Pablo Garcia

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

Passed | See all certifications »
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Details

Country:

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Release Date:

30 September 1932 (USA)  »

Also Known As:

Doble sacrificio  »

Box Office

Budget:

$300,000 (estimated)
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Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

(RCA Photophone System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The film's proposed budget of $300,000 prohibited the hiring of Irene Dunne, a prominent RKO star who was earning $15,000 per film at the time. See more »

Goofs

'Katharine Hepburn' is misspelled in the credits as 'Katherine Hepburn'. See more »

Quotes

Hilary Fairfield: Do you know what the dead do in Heaven? They sit on their golden chairs and sicken for home.
See more »

Crazy Credits

Sydney Fairfield is the name of Katharine Hepburn's character in the film, but ner name is spelled Sidney in the credits. See more »

Connections

Referenced in The Making of a Legend: Gone with the Wind (1988) See more »

Soundtracks

Good King Wenceslas
(uncredited)
Traditional Christmas carol
Modern lyrics by J.M. Neale (1853)
Sung by carollers on Christmas Eve
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User Reviews

 
Hepburn's first film
30 January 2007 | by (United States) – See all my reviews

When Hollywood was madly casting the ingénue in "A Bill of Divorcement," they saw many, many tests of actresses but still weren't satisfied. Katharine Hepburn took a look at the test scene and realized immediately why no actress was acceptable - it was a terrible scene. So she did another one and won the role.

Let's just say that Hepburn started her amazing career with amazing good fortune. Her director was the excellent George Cukor, marking the beginning of their marvelous collaboration; and she had the great John Barrymore as a co-star.

The story concerns a man who comes home from an insane asylum only to discover that his daughter has grown up, his wife has divorced him, and she is about to marry someone else. He's as much in love with her as he has always been and can't bear the thought of her leaving him.

Based on a play by Clemence Dane, "A Bill of Divorcement" doesn't hold up today. It's very talky, done in a stagy manner, and melodramatic. Some of the performances are melodramatic as well - it was the beginning of talkies, and many of the actors had not yet adapted to the technique of acting on film, Billie Burke especially. My big quibble with the story is that, due to the times, it can't distinguish between "insanity" and emotional problems or chemical imbalances, which makes the Hepburn character's ultimate sacrifice seem unnecessary.

You can really see in this movie how Katharine Hepburn would have been so unusual to audiences with her angular, athletic body, high cheekbones and austere looks. She once said of Angela Lansbury, "She was unusual in the wrong way, and I was unusual in the right way." It's certainly true. She's quite beautiful and interesting-looking. Ultimately she would tone down her acting. For a first film, she's wonderful.

The star is John Barrymore, who gives a timeless, heart-wrenching performance. What a wonderful actor and what a loss that his last film was made in 1941 and as early as 1938, he was playing his roles drunk.

Recommended definitely for Hepburn aficionados and to see the great John Barrymore being the magnificent actor he was capable of being.


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