A young man falls in love with a girl from a rich family. His unorthodox plan to go on holiday for the early years of his life is met with skepticism by everyone except for his fiancée's eccentric sister and long suffering brother.
After spending fifteen years in an asylum, Hilary Fairfield escapes from the institution after regaining his sanity. He finds that things at home are different than when he left them. His wife has divorced him and is already planning her next marriage, and his daughter has grown up throughout the years and is planning to marry as well. Written by
The opening credit lists Gayle Evers name as Gale Evers, but it was correctly spelled in the final credits. See more »
Toward the end, when Sidney convinces her mother to leave, she reaches for her mother's coat, and someone off-camera hands it to her. The hands of the crew member are clearly visible. Correction: The maid hands Sidney her mother's coat. You can see the maid's apron when she steps into view. Several scenes earlier the maid told Gray she had the mother's bags packed. See more »
Do you know what the dead do in Heaven? They sit on their golden chairs and sicken for home.
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Sydney Fairfield is the name of Katharine Hepburn's character in the film, but ner name is spelled Sidney in the credits. See more »
A touching, very well done movie. Of course it sounds and looks stagy. Of course the acting seems melodramatic. This is the very early years of talkies, and the material is a play that was already 10 years old in 1932! That gives us some idea of how desperately Hollywood was searching for material with which to make talking pictures. John Barrymore, as other people have said, was on the slippery slope of alcoholism and lived only 10 more years, each more debilitated than the previous one. Yet he never lost his ability and it is a shame he didn't get to be in better films. He could always act! And he knew that his style was dated. He said that his was a 'middle' generation of stage acting, between the florid romantic style of the late 19th and early 20th centuries and the more naturalistic style that followed. Any time he worked with actors and directors he respected: Marie Dressler, Greta Garbo, Hepburn, Billie Burke, Carole Lombard, George Cukor, Howard Hawks --Barrymore turned in an excellent performance.
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