Journalist Steve O'Malley wants to write a biography of a national hero who died when his car ran off a bridge. Steve receives conflicting reports and tales that make him question what the truth about the hero is.
Grace Quigley is nearing the end of her life, living alone in her New York apartment. One day she witnesses a murder being committed by top hit-man, Seymour Flint. She decides to blackmail ... See full summary »
Kit Le Fever
Tom Collier has had a great relationship with Daisy, but when he decides to marry, it is not Daisy whom he asks, it is Cecelia. After the marriage, Tom is bored with the social scene and ... See full summary »
Pat's a brilliant athlete, except when her domineering fiance is around. The lady's golf championship is in her reach until she gets flustered by his presence at the final holes. He wants ... See full summary »
An aging actress is being sued for breach of promise. She hires as her lawyer a man who was an ex-lover and is still in love with her, although she doesn't know it. She realizes that the ... See full summary »
After spending fifteen years in an asylum, Hilary Fairfield escapes from the institution after regaining his sanity. He finds that things at home are different than when he left them. His wife has divorced him and is already planning her next marriage, and his daughter has grown up throughout the years and is planning to marry as well. Written by
The opening credit lists Gayle Evers name as Gale Evers, but it was correctly spelled in the final credits. See more »
Toward the end, when Sidney convinces her mother to leave, she reaches for her mother's coat, and someone off-camera hands it to her. The hands of the crew member are clearly visible. Correction: The maid hands Sidney her mother's coat. You can see the maid's apron when she steps into view. Several scenes earlier the maid told Gray she had the mother's bags packed. See more »
When Hollywood was madly casting the ingénue in "A Bill of Divorcement," they saw many, many tests of actresses but still weren't satisfied. Katharine Hepburn took a look at the test scene and realized immediately why no actress was acceptable - it was a terrible scene. So she did another one and won the role.
Let's just say that Hepburn started her amazing career with amazing good fortune. Her director was the excellent George Cukor, marking the beginning of their marvelous collaboration; and she had the great John Barrymore as a co-star.
The story concerns a man who comes home from an insane asylum only to discover that his daughter has grown up, his wife has divorced him, and she is about to marry someone else. He's as much in love with her as he has always been and can't bear the thought of her leaving him.
Based on a play by Clemence Dane, "A Bill of Divorcement" doesn't hold up today. It's very talky, done in a stagy manner, and melodramatic. Some of the performances are melodramatic as well - it was the beginning of talkies, and many of the actors had not yet adapted to the technique of acting on film, Billie Burke especially. My big quibble with the story is that, due to the times, it can't distinguish between "insanity" and emotional problems or chemical imbalances, which makes the Hepburn character's ultimate sacrifice seem unnecessary.
You can really see in this movie how Katharine Hepburn would have been so unusual to audiences with her angular, athletic body, high cheekbones and austere looks. She once said of Angela Lansbury, "She was unusual in the wrong way, and I was unusual in the right way." It's certainly true. She's quite beautiful and interesting-looking. Ultimately she would tone down her acting. For a first film, she's wonderful.
The star is John Barrymore, who gives a timeless, heart-wrenching performance. What a wonderful actor and what a loss that his last film was made in 1941 and as early as 1938, he was playing his roles drunk.
Recommended definitely for Hepburn aficionados and to see the great John Barrymore being the magnificent actor he was capable of being.
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