A federal agent goes undercover to infiltrate a drug smuggling operation headed by a mysterious Mr. X, a criminal mastermind whose identity is unknown even to his henchmen. Mr. X is also ... See full summary »
Nell Bowen, the spirited protege of rich Lord Mortimer, becomes interested in the conditions of notorious St. Mary's of Bethlehem Asylum (Bedlam). Encouraged by the Quaker Hannay, she tries... See full summary »
In the European village of Gudenberg in 1890, Prof. Mayer and his assistant Isabel have created a powerful ray machine. One of the powerful rays is shot into space and attracts a flying ... See full summary »
A federal agent goes undercover to infiltrate a drug smuggling operation headed by a mysterious Mr. X, a criminal mastermind whose identity is unknown even to his henchmen. Mr. X is also running a bogus hospital where victims are killed on the operating table, and their coffins stuffed with narcotics. The drug-filled coffins are then buried in a cemetery. Written by
Cameron Majidi <email@example.com>
The version presently in circulation bears a 1936 re-release production code seal of approval #2316-R, modernized title credits, and the newer post-1935 Columbia logo. See more »
A dummy, thrown from the airplane by the pilot, instead of the pilot himself, to fool the people in the boat, would not be able to pull the ripcord on the parachute at the right time, to open it up. See more »
The pain whilst I am cutting through the outer layers of skin will not be unendurable. It is only when I commence to carve on your vital organs that you will know you are having... an experience.
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Efficient thriller re-teaming Karloff & Van Sloan shortly after the success of 'Frankenstein.'
What must have started life as a pretty ordinary crime picture is dressed up for the box office with some of the popular flourishes of the day such as electronic gadgets and a mysterious criminal mastermind.
Karloff gives excellent value as villain's chief henchman and thankfully gets plenty of screen time.
Although director and cast were all well experienced in pictures, the performances tend to be on the dull side, particularly Jack Holt in the lead. The pace of individual scenes is a little slow too, almost as if everyone concerned were making a conscious effort to hold back from the excesses of the silent days.
No classic, but you could do worse.
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