Englishmen race to find the tomb of Genghis Khan. They have to get there fast, as the evil genius Dr. Fu Manchu is also searching, and if he gets the mysteriously powerful relics, he and ... See full summary »
Lamont Cranston, aka the Shadow, has his hands full as the murder of blackmailing reporter Jeff Mann is blamed on him. Not only does the real murderer seem one step ahead of him as Lamont ... See full summary »
A young girl who lives on a tropical island loses her parents to a voodoo sacrifice, but although she manages to escape the island, a curse is put on her. Years later, as an adult, she ... See full summary »
When the villagers of Klineschloss start dying of blood loss, the town fathers suspect a resurgence of vampirism. While police inspector Karl remains skeptical, scientist Dr. von Niemann ... See full summary »
A federal agent goes undercover to infiltrate a drug smuggling operation headed by a mysterious Mr. X, a criminal mastermind whose identity is unknown even to his henchmen. Mr. X is also running a bogus hospital where victims are killed on the operating table, and their coffins stuffed with narcotics. The drug-filled coffins are then buried in a cemetery. Written by
Cameron Majidi <email@example.com>
Part of the SON OF SHOCK package of 20 titles released to television in 1958, which followed the original SHOCK THEATER release of 52 features one year earlier. This was also the first of 11 Columbia titles, the other 61 all being Universals. See more »
A dummy, thrown from the airplane by the pilot, instead of the pilot himself, to fool the people in the boat, would not be able to pull the ripcord on the parachute at the right time, to open it up. See more »
1932's "Behind the Mask" was the earliest Columbia title included in the hugely successful SON OF SHOCK television package of the late 1950s, reteaming Boris Karloff and Edward Van Sloan following the just-completed "Frankenstein" (shooting wrapped Nov 21 1931). Headlining is the studio's top workhorse, Jack Holt (father of Tim), playing an undercover FBI agent posing as a convict, pumping information from Jim Henderson (Karloff), part of the dope smuggling ring run by a mysterious 'Mr. X.' The somewhat dim Henderson hardly taxes Boris, who virtually disappears at the midway point (we later learn of his offscreen capture); the real revelation is seeing Edward Van Sloan in dual roles- he looks like himself in two scenes as Dr. Alec Munsell, involved in the FBI investigation, but is unrecognizable in heavy beard and glasses as Dr. August Steiner, chewing the scenery with great relish. It's a juicy, scene stealing villain, sounding very much like an evil Van Helsing, able to lawfully dispose of enemies through surgery on the operating table, rather than wielding a knife in the street, which would only attract attention. Lovely Constance Cummings finishes her third film opposite Karloff, following "The Criminal Code" and "The Guilty Generation," while Thomas Jackson, shortly after his successful pursuit of Edward G. Robinson's "Little Caesar," surprisingly comes to a bad end. Jack Holt went on to work with Bela Lugosi in a later Columbia, 1935's "The Best Man Wins" (and with John Carradine in 1942's MGM "Northwest Rangers"). Many viewers, particularly Karloff fans, grouse that it's not really a horror film, but there's certainly enough horrific touches to qualify for SON OF SHOCK, a solid pre-code melding of crime and chills. "Behind the Mask" made one appearance on Pittsburgh's Chiller Theater, July 8 1967 (followed by 1961's Mexican "Bring Me The Vampire").
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