A federal agent goes undercover to infiltrate a drug smuggling operation headed by a mysterious Mr. X, a criminal mastermind whose identity is unknown even to his henchmen. Mr. X is also ... See full summary »
In the 15th century Richard Duke of Gloucester, aided by his club-footed executioner Mord, eliminates those ahead of him in succession to the throne, then occupied by his brother King ... See full summary »
Rowland V. Lee
Lamont Cranston, aka the Shadow, has his hands full as the murder of blackmailing reporter Jeff Mann is blamed on him. Not only does the real murderer seem one step ahead of him as Lamont ... See full summary »
While filming the closing scene of "The Death Kiss", leading man Myles Brent is actually killed. Having played around with, or been married to, most of the women connected with the movie ... See full summary »
Dr. Bernard Adrian is a kindly mad scientist who seeks to cure a young woman's polio. He needs spinal fluid from a human to complete the formula for his experimental serum. Meanwhile, a ... See full summary »
A federal agent goes undercover to infiltrate a drug smuggling operation headed by a mysterious Mr. X, a criminal mastermind whose identity is unknown even to his henchmen. Mr. X is also running a bogus hospital where victims are killed on the operating table, and their coffins stuffed with narcotics. The drug-filled coffins are then buried in a cemetery. Written by
Cameron Majidi <firstname.lastname@example.org>
The version presently in circulation bears a 1936 re-release production code seal of approval #2316-R, modernized title credits, and the newer post-1935 Columbia logo. See more »
A dummy, thrown from the airplane by the pilot, instead of the pilot himself, to fool the people in the boat, would not be able to pull the ripcord on the parachute at the right time, to open it up. See more »
The pain whilst I am cutting through the outer layers of skin will not be unendurable. It is only when I commence to carve on your vital organs that you will know you are having... an experience.
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1932's "Behind the Mask" was the earliest Columbia title included in the hugely successful SON OF SHOCK television package of the late 1950s, reteaming Boris Karloff and Edward Van Sloan following the just-completed "Frankenstein" (shooting wrapped Nov 21 1931). Headlining is the studio's top workhorse, Jack Holt (father of Tim), playing an undercover FBI agent posing as a convict, pumping information from Jim Henderson (Karloff), part of the dope smuggling ring run by a mysterious 'Mr. X.' The somewhat dim Henderson hardly taxes Boris, who virtually disappears at the midway point (we later learn of his offscreen capture); the real revelation is seeing Edward Van Sloan in dual roles- he looks like himself in two scenes as Dr. Alec Munsell, involved in the FBI investigation, but is unrecognizable in heavy beard and glasses as Dr. August Steiner, chewing the scenery with great relish. It's a juicy, scene stealing villain, sounding very much like an evil Van Helsing, able to lawfully dispose of enemies through surgery on the operating table, rather than wielding a knife in the street, which would only attract attention. Lovely Constance Cummings finishes her third film opposite Karloff, following "The Criminal Code" and "The Guilty Generation," while Thomas Jackson, shortly after his successful pursuit of Edward G. Robinson's "Little Caesar," surprisingly comes to a bad end. Jack Holt went on to work with Bela Lugosi in a later Columbia, 1935's "The Best Man Wins" (and with John Carradine in 1942's MGM "Northwest Rangers"). Many viewers, particularly Karloff fans, grouse that it's not really a horror film, but there's certainly enough horrific touches to qualify for SON OF SHOCK, a solid pre-code melding of crime and chills. "Behind the Mask" made one appearance on Pittsburgh's Chiller Theater, July 8 1967 (followed by 1961's Mexican "Bring Me The Vampire").
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