Raymond Dabney returns to his family after trouble with the law. He convinces the sheriff to give him a job watching the house and furniture of widow Crystal Wetherby without knowing she is... See full summary »
Ruby falls in love with small-time con man Eddie. During a botched blackmail scheme, Eddie accidentally kills the man they were setting up. Eddie takes off and Ruby is sent to a reformatory for two years.
Believing a German spy has killed her new husband (Franchot Tone), Suzy, a struggling chorus girl (Jean Harlow) flees to Paris where she meets and marries a WWI pilot (Cary Grant) whose carefree ways brings about unexpected results.
An 11-year-old Mickey Rooney plays Walter Huston's small son in his first full-length sound feature film. His first line is, "Say, those don't look like pancakes!" See more »
When Ed and Daisy are out at the club, the lamp on the table is initially to Ed's right. In the next shot, it's to his left. The position of the lamp on the table keeps changing in subsequent shots during the entire scene. See more »
This is an exciting Pre-Code cop film from MGM. When I say "Pre-Code", I am indicating that it was made just before the adoption of the Hollywood Production Code that was intended to clean up movies and eliminate sex, violence and other adult-only content in films. Because of this, the film is much more violent than films made in the mid-30s and later. It also features a lot of seamy dialog and content. A few examples of these taboos that were in some Pre-Code films would include:
Police radio reports of "a nude woman on the corner of Elm and Berry" and an "indecent exposure".
Memorable lines such as "the back of his head was blown out" and referring to the coroner's vehicle as "the meat wagon".
These sleazy elements actually helped make the movie more exciting and seem more like a real police story. And it was exciting throughout until a very, very disappointing and silly ending. Yes, this ending WAS violent and satisfying on a baser level, but it just made no sense at all. This helped to make this movie a good time-passer with some sleazy elements, but not much more. Exciting but not all that satisfying.
In addition to all the excitement, look for a very young and pretty adorable Mickey Rooney as Walter Huston's son.
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