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The Beast of the City (1932)

Passed  |   |  Crime, Drama, Film-Noir  |  13 February 1932 (USA)
7.0
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Ratings: 7.0/10 from 672 users  
Reviews: 22 user | 9 critic

Police Chief Jim Fitzpatrick ruthlessly goes after organized crime and is prepared to use brutal and violent methods to fight it.

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(story), (dialogue continuity) (as John L. Mahin) , 1 more credit »
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Title: The Beast of the City (1932)

The Beast of the City (1932) on IMDb 7/10

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Cast

Complete credited cast:
...
...
Wallace Ford ...
...
Dorothy Peterson ...
...
John Miljan ...
Emmett Corrigan ...
Warner Richmond ...
Tom
Sandy Roth ...
Mac
J. Carrol Naish ...
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Storyline

Police Chief Jim Fitzpatrick is fighting gangster Sam Belmonte. He asks his dishonest brother Ed to keep an eye on Daisy who was connected with Belmonte. Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Add Synopsis

Taglines:

A thrilling drama of hunters - and hunted, in the city jungles! (Herald). See more »


Certificate:

Passed | See all certifications »
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Details

Country:

Language:

Release Date:

13 February 1932 (USA)  »

Also Known As:

City Sentinels  »

Box Office

Budget:

$230,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Fifty-two minutes into the film Daisy (Jean Harlow) has a party at her place. On a small table against the back wall is a photo of Clark Gable, her co-star in Red Dust (1932) the same year. See more »

Quotes

Det. Ed Fitzpatrick: [Trying to discourage one of Belmonte's gun molls in the bedroom] Listen, I'm an old man. I left my youth in the capitols of Europe.
See more »

Connections

Featured in Indie Sex: Censored (2007) See more »

Soundtracks

Old Black Joe
(1853) (uncredited)
Written by Stephen Foster
Sung a cappella by Wallace Ford
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User Reviews

 
Who's the beast?
1 November 2013 | by (United States) – See all my reviews

Overblown antique that would be forgotten except for fans of Huston were it not for the presence of Jean Harlow in the cast. In her last supporting role before Red Headed Woman moved her to the top of the MGM pecking order she is cheap, brassy and sexual in a way that would disappear once the Hays Code went into effect in a few years. As for the rest of the film, it has pieces of dialog that are wildly inappropriate in both racial and feminist context but were standard at the time. Huston's performance is variable, mostly good but with some ham-fisted touches but he is subtlety itself compared to Tully Marshall as the defense attorney who is so florid during one of his speeches it's impossible to keep a straight face. The climax is another piece of over the top absurdity but if you're a Harlow fan the film is worth watching.


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