Bart is a clerk for a publishing company; he has written a novel. His wife Peggy and he have five children. Bart's former girlfriend Mildred is manager of the company's Paris office. She ... See full summary »
Small town girl meets and falls for a playboy type on a train to New York. For him, the fling is over when they arrive, but she continues to carry a torch. She meets and marries his brother... See full summary »
Gregory La Cava
Showgirl Sally meets young playboy Leonard St. John; they fall in love and are secretly married. When Leonard's father discovers this he sets out to break them apart, and following a bitter... See full summary »
Very gentle predecessor to the women's film from the master of substance
At our recent film society screening of this film (we very luckily have a 16mm print in The National Film and Sound Archive here in Australia) it was very apparent of the skill of director and his star in what is an subtle and underplayed telling of this Fannie Hurst tearjerker. There is an absence of musical underscore very typical for the period prior to 1934, and this added to the potency of the effect of Dunne's absorbing and masterful performance, illustrating her as not just a star but an actress as well. Overall this film has a very gentle feel with slow fade-outs used frequently in giving this effect. Dunne is wonderful in her playing earlier in a lighter fashion and makes a skillful transformation into the section of the film where she is older and more serious. I had sympathy for her character in spite of the sacrifices she makes for John Boles, remaining in the "back street" of his life. I see director Stahl as a sort of predecessor to Sirk in his handling of solid fare such as this and "Leave her to Heaven" (1945).
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