| Greta Garbo | ... | Zara aka Maria | |
| Melvyn Douglas | ... | Count Bruno Varelli | |
| Erich von Stroheim | ... | Carl Salter | |
| Owen Moore | ... | Tony Boffie | |
| Hedda Hopper | ... | Ines Montari | |
| Rafaela Ottiano | ... | Lena | |
| Warburton Gamble | ... | Baron | |
| Albert Conti | ... | Captain | |
| William Ricciardi | ... | Pietro | |
| Roland Varno | ... | Albert | |
| rest of cast listed alphabetically: | |||
| Reginald Barlow | ... | Dr. Reinhardt (uncredited) | |
| Max Barwyn | ... | Cafe Headwaiter (uncredited) | |
| Edmund Breese | ... | Friar (uncredited) | |
| George Davis | ... | Salter's Butler (uncredited) | |
| William Orlamond | ... | Waiter (uncredited) | |
| Nella Walker | ... | Lucia Marco (uncredited) | |
Directed by | |||
| George Fitzmaurice | (uncredited) | ||
Writing credits | ||
| Luigi Pirandello | (play "Come Tuo Mi Voi") | |
| Gene Markey | (adaptation and dialogue) | |
Produced by | |||
| George Fitzmaurice | .... | producer | |
| Irving Thalberg | .... | producer (uncredited) | |
Original Music by | |||
| William Axt | (uncredited) | ||
Cinematography by | |||
| William H. Daniels | (as William Daniels) | ||
Film Editing by | |||
| George Hively | |||
Art Direction by | |||
| Cedric Gibbons | |||
Costume Design by | |||
| Adrian | (gowns) | ||
Second Unit Director or Assistant Director | |||
| Cullen Tate | .... | assistant director (uncredited) | |
Sound Department | |||
| Douglas Shearer | .... | recording director | |
| James Brock | .... | sound (uncredited) | |
Camera and Electrical Department | |||
| Milton Brown | .... | still photographer (uncredited) | |
Costume and Wardrobe Department | |||
| Eugene Joseff | .... | costume jeweller (uncredited) | |
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| Random Harvest | A Farewell to Arms | The White Cliffs of Dover | Anastasia | The Swan |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section |
This is rather a botched effort. Fitzmaurice is not a good director. He allows von Stroheim to act badly, Douglas and others to overact badly, but does turn a fascinating play into an intriguing script and give us another fine Garbo performance. She is excellent in the lead - it's a film that cried for a remake later in the forties but never got it. As a drunken cabaret singer in the initial scenes, Garbo in a blonde wig is a comic revelation. Interesting to note that von Stroheim has no accent at all, in fact he can barely read his lines, he is as talentless here as an actor as someone who has never been on stage before in his life. He even pronounced "Maria" as if it were "Mareer." Isn't that Douglas in the audience by the pillar in the initial scene? - either that or a look alike double. His character should not be present at that moment. Available on MGM/UA video.