6.6/10
693
23 user 4 critic

The Animal Kingdom (1932)

Approved | | Comedy, Drama, Romance | 28 December 1932 (USA)
Tom Collier has had a great relationship with Daisy, but when he decides to marry, it is not Daisy whom he asks, it is Cecelia. After the marriage, Tom is bored with the social scene and ... See full summary »

Directors:

, (uncredited)

Writers:

(screenplay), (play)
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Cast

Complete credited cast:
...
...
Thomas 'Tom' Collier
...
Cecelia Henry Collier
...
'Red' Regan - the majordomo
...
Owen Fiske
...
Grace
...
Mr. Rufus Collier
...
Franc Schmidt
Don Dillaway ...
Joe Fiske
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Storyline

Tom Collier has had a great relationship with Daisy, but when he decides to marry, it is not Daisy whom he asks, it is Cecelia. After the marriage, Tom is bored with the social scene and the obligations of his life. He publishes books that will sell, not books that he wants to write. Even worse, he has his old friend working as a butler and Cecelia wants him fired. When Tom tries to get back together with Daisy to renew the feelings that he once felt, Daisy turns the tables on him and leaves to protect both of them. Written by Tony Fontana <tony.fontana@spacebbs.com>

Plot Summary | Add Synopsis

Genres:

Comedy | Drama | Romance

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

28 December 1932 (USA)  »

Also Known As:

Królestwo zwierzat  »

Box Office

Budget:

$458,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Photophone System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Daisy's declaration "Behold, the bridegroom cometh. And no oil for my lamp, as usual. A foolish virgin me. Oh, foolish anyway." is a reference to the story of the ten virgins with oil lamps greeting the bridegroom, told in Matthew 25:1-13. See more »

Goofs

When Tom moves to the mantle with his father's check at the end of the film, a light suddenly comes on to more brightly illuminate that area of the room. See more »

Quotes

Daisy Sage: You're a free man you know, Tommy, always have been with me, no questions asked, but oh, please, Mexico in June, together, because listen... No, don't look at me. Look in the other way.
[Takes a deep breath]
Daisy Sage: On the boat coming over, the sweetest small boy, about two, and I got crazy about him and I want one. I want one *badly*. So would you please be good enough to marry me?
Tom Collier: [Is startled and stands straight up]
Daisy Sage: Oh, you always said you wanted to and I wouldn't let you. Well, it isn't terribly ...
See more »

Connections

Version of One More Tomorrow (1946) See more »

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User Reviews

 
A Matter of Taste
30 December 2016 | by (Claremont,USA) – See all my reviews

A movie like this strikes me as a matter of taste. On one hand, it's slow, talky, and confined strictly to drawing rooms. On the other, it's a story of some substance, as Tom (Howard) must work through common human desires to figure out where happiness lies. In short, should he link up with the sexy Cecilia (Loy) or with the talented Daisy (Harding). Had the screenplay tightened up, varied the staging, and livened things up, the appeal would be stronger. Unfortunately, the lively butler's (Gargan) un-butler antics don't amount to much bouncy relief.

Nonetheless, Loy is drop-dead beautiful and a convincing manipulator, while Harding settles for a secondary and less glamorous role. I still can't decide on Howard—is he miscast or not. On one hand, he's got a bland screen presence, one that works against the pacing. Then too, I'm afraid a livelier mood would have overwhelmed his restrained struggle. On the other hand, he manages considerable subtlety in his portrayal of the conflicted rich man's son.

Overall, viewers not turned off by what amounts to a filmed stage play, may find subtle rewards in this searching 85-minutes. For me, it was mainly a disappointing struggle.


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