Already in trouble with the law, Arthur and his friend Nutty break into a drugstore to get medicine for Nutty's grandmother. The druggist's wife, Mrs. Doray, asks for custody. When he hears... See full summary »
Broken hearts in Ireland. Sean is a great tenor, in semi-retirement, living in a village close to Mary, the woman he's always loved. Mary's aunt convinced her to marry a man for his money; ... See full summary »
Oklahoma mechanic Pike Peters finds himself part owner of an oil field. His wife Idy, hitherto content, decides the family must go to Paris to get "culture" and meet "the right kind of ... See full summary »
Liliom, a merry-go-round barker at a Budapest amusement park, becomes enamored of Julie, a servant girl, and though under the influence of Madame Muskat, a sideshow entrepreneur, he marries... See full summary »
Steve Tuttle, the titular lazybones, takes on the responsibility of raising a fatherless girl, causing a scandal in his small town. Many years later, having returned from World War I, he ... See full summary »
Mary, a poor farm girl, meets Tim just as word comes that war has been declared. Tim enlists in the army and goes to the battlefields of Europe, where he is wounded and loses the use of his... See full summary »
Guinn 'Big Boy' Williams
In the Depression, Pete and Sidney are good kids, working hard, giving money to their parents, and engaged for three years while they save to get married. Each has a selfish mother: Sydney's is cold, Pete's is clingy. Sidney's mother is looking for her own happiness, no matter how much that search harms her daughter and long-suffering husband; and, the longer the engagement lingers, the more pressure Pete's mom puts on Sidney to break it off and set her son free. "After Tomorrow" is Pete and Sidney's favorite song, but with illness, poverty, and temptation: will that good day ever come? Written by
In Frank Borzage's monumental -and absolutely extraordinary- filmography,"After tomorrow" is the follow up to "Young America" and with hindsight,it made sense.The 1931 work dealt with the wall between the kids and the adults;"After tomorrow" deals with the problems of a young couple whose mothers are either selfish (the girl) or over possessive (the boy).It's the generation gap all over again.
Sid's mother feels that that time is passing her by:the first time we've seen it,she yells "don't call me mother!" .She can't stand her daughter anymore,which is the living proof that she's getting old ;leaving her old husband the day her daughter marries does not make feel her ill-at-ease .This scene when papa refuses the dough is thoroughly Borzagesque.
Peter's momma is afraid of the dark,and she needs her dear one to sleep the sleep of the just.She's not really nasty but her soon-to-be daughter-in-law is an enemy .Her presence is almost a comic relief,in a story which verges on dramatic.
Marian Nixon and Charles Farell ,Borzage's favorite actor manage to stay very natural,which was not that easy in the years following the silent age.They are wonderful in the scene of the hat after the job interview.
One of Borzage's finest movies?Probably not,but even the "OK" movies of this great man are so much better than so many other directors' best.
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