À Nous la Liberté (1931)
"À nous la liberté" (original title)

Approved  |   |  Comedy, Musical  |  31 December 1931 (USA)
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Ratings: 7.7/10 from 2,939 users  
Reviews: 31 user | 41 critic

A famous left-wing satirical comedy about two ex-convicts, one of whom escaped jail and then worked his way up from salesman to factory owner, where he oversees a highly mechanized ... See full summary »



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Nominated for 1 Oscar. Another 3 wins. See more awards »
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Complete credited cast:
Henri Marchand ...
Raymond Cordy ...
Rolla France ...
Paul Ollivier ...
L'oncle (as Paul Olivier)
Jacques Shelly ...
André Michaud ...
Le contremaitre
Germaine Aussey ...
Maud - la femme de Louis
Léon Lorin ...
Le vieux monsieur sourd
William Burke ...
L'ancien détenu
Vincent Hyspa ...
Le vieil orateur


A famous left-wing satirical comedy about two ex-convicts, one of whom escaped jail and then worked his way up from salesman to factory owner, where he oversees a highly mechanized operation where the workers are reduced to mere automatons. Fearful of being exposed over his past, at first by his friend and later by another gangster, the owner chooses to give his factory to the workers, then escapes with his friend to the freedom of the open road. The production company for "A Nous la Liberte" was for more than a decade embroiled in a lawsuit claiming that Charles Chaplin had seen their film and plagiarized many ideas from it as he developed "Modern Times." Written by footsperry

Plot Summary | Add Synopsis


Le chef-d'oeuvre de René Clair


Comedy | Musical


Approved | See all certifications »




Release Date:

31 December 1931 (USA)  »

Also Known As:

À Nous la Liberté  »

Company Credits

Production Co:

Show detailed on  »

Technical Specs


| (re-release)

Sound Mix:

Aspect Ratio:

1.20 : 1
See  »

Did You Know?


First film not in English to receive an Oscar nomination See more »


[first lines]
[Voice over Singer]: Liberty is the happy man's due / He enjoys love and skies of blue / But then there are some / Who no worse crimes have done / It's the sad story we tell / From a prison cell
See more »


Referenced in Modern Times (1936) See more »

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User Reviews

Slapstick Gallic Satire Skewers Industrialism and Corporate Greed Between the World Wars
24 July 2007 | by (San Francisco, CA, USA) – See all my reviews

This early talkie is an unexpected joy to watch and an artful piece of transitional cinema. It's difficult to believe that Charlie Chaplin claimed he never saw René Clair's fanciful 1931 musical comedy since it predates many of the same leitmotifs that came up in "Modern Times" five years later, including pointed jabs at corporate greed interlaced with Keystone Cops-style slapstick. In fact, Clair seems completely inspired by Chaplin in the way he carefully orchestrates the chase scenes and the robotic assembly line in this film, so much so that Chaplin borrowed back the visual cues in "Modern Times".

Clair sets up his story as an elaborate parable centered on two convicts, best friends Émile and Louis, who make toy horses in the prison assembly line. In a long-planned attempt to escape, Émile escapes thanks to a generous leg-up from Louis, who is caught and returned back to their cell. Years pass, and Émile becomes a successful industrialist in charge of a phonograph manufacturing business. Meanwhile, Louis serves out his term and upon release, ironically finds himself working in the assembly line of Émile's factory. After some hesitation, Louis and Émile reunite and join forces with a rapid-fire series of chaotic complications leading the two friends to realize that a life away from work may be their true fate.

The film master does not belabor his sociopolitical statements about materialism, but it is intriguing in hindsight to appreciate the film's prescience in showing France disconnected from the encroaching Nazi menace. Moreover, the film boasts startling visual elements thanks to Lazare Meerson's unmistakably Expressionist art direction. Henri Marchand and Raymond Cordy make a fine comedy team as Émile and Louis, though what really shines is the timeless spirit that Clair imbues this film. The 2002 Criterion Collection DVD includes two deleted scenes, a brief 1998 interview with Clair's widow, and a twenty-minute short, "Entr'acte", that Clair made with French artists Francis Picabia and Erik Satie. Speaking of Chaplin, in an audio essay, film historian David Robinson describes the plagiarism suit that the film's producers brought against Charlie Chaplin when "Modern Times" was released.

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