À Nous la Liberté
(1931)
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À Nous la Liberté
(1931)
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Henri Marchand | ... |
Émile
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Raymond Cordy | ... |
Louis
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Rolla France | ... |
Jeanne
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Paul Ollivier | ... |
L'oncle
(as Paul Olivier)
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Jacques Shelly | ... |
Paul
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André Michaud | ... |
Le contremaitre
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Germaine Aussey | ... |
Maud - la femme de Louis
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Léon Lorin | ... |
Le vieux monsieur sourd
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William Burke | ... |
L'ancien détenu
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Vincent Hyspa | ... |
Le vieil orateur
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A famous left-wing satirical comedy about two ex-convicts, one of whom escaped jail and then worked his way up from salesman to factory owner, where he oversees a highly mechanized operation where the workers are reduced to mere automatons. Fearful of being exposed over his past, at first by his friend and later by another gangster, the owner chooses to give his factory to the workers, then escapes with his friend to the freedom of the open road. The production company for "A Nous la Liberte" was for more than a decade embroiled in a lawsuit claiming that Charles Chaplin had seen their film and plagiarized many ideas from it as he developed "Modern Times." Written by footsperry
I was lucky enough to see "A Nous La Liberte" along with it's sister film (in my mind, anyway) "Le Million" at an early age at the Museum of Modern Art. I have never gotten over them. They are both miracles of studio production with even many of the exteriors built in studio. Both films were designed by the great Lazare Meerson and evoke the magical Paris of the 20's. Both films make wonderful, inventive use of music and song, though neither one is exactly a Musical in the modern sense. "A Nous La Liberte" is also interesting for having been Chaplin's inspiration for much of "Modern Times."