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The Yellow Ticket (1931)

 -  Drama  -  30 October 1931 (USA)
6.6
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Ratings: 6.6/10 from 81 users  
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A young Russian girl is forced into a life of prostitution in Czarist Russia, and she and a British journalist find their lives endangered when she reveals to him information regarding the ... See full summary »

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Title: The Yellow Ticket (1931)

The Yellow Ticket (1931) on IMDb 6.6/10

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Cast

Complete credited cast:
...
Marya Kalish
...
Baron Igor Andreeff
...
Julian Rolfe
Walter Byron ...
Count Nikolai
Arnold Korff ...
Grandfather Kalish
...
Melchior
...
Police Agent Boligoff
Rita La Roy ...
Fania Rubinstein
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Storyline

A young Russian girl is forced into a life of prostitution in Czarist Russia, and she and a British journalist find their lives endangered when she reveals to him information regarding the social crimes rampant in her country. Written by Jim Beaver <jumblejim@prodigy.net>

Plot Summary | Add Synopsis

Plot Keywords:

based on play

Taglines:

Helpless, hopeless, in heartless Russia

Genres:

Drama

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Details

Country:

Language:

Release Date:

30 October 1931 (USA)  »

Also Known As:

Den Gula Biljetten  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric System)

Aspect Ratio:

1.20 : 1
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Connections

Version of The Yellow Ticket (1918) See more »

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User Reviews

 
Curious melodrama with a heavy bias against imperialist Russia.
5 August 2000 | by (Norwich) – See all my reviews

This must have seemed old fashioned even when it was made. The story had to be a holdover from the silent days.

Poor, virtuous peasant Elissa Landi is persecuted by leering aristocrat Lionel Barrymore in pre-revolutionary Russia. Laurence Olivier, in his only his second U.S. movie, is the Western journalist who offers Landi his love and a chance at escape. Boris Karloff plays a drunken orderly.

Whereas Olivier attempts to bring a light touch to his thankless role, neither Landi nor Barrymore seem to know the meaning of the word 'restraint.'. This has an interesting consequence. Whereas Landi is insufferably hysterical, Barrymore provides the best reason to watch; a portrait of sheer, camp villainy that just keeps getting better and better as the film goes on.

Hard to take seriously. Watch it for Barrymore alone.


5 of 12 people found this review helpful.  Was this review helpful to you?

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