A young Russian girl is forced into a life of prostitution in Czarist Russia, and she and a British journalist find their lives endangered when she reveals to him information regarding the ... See full summary »
Queen Elizabeth is running this show. The men in her court should be thinking about how to add to the glory of the Elizabethan Age and how to foil those pesky Spanish who got far too much ... See full summary »
William K. Howard
A duke usurps his brother's land and power, banishing him and his retinue into the forest of Arden. The banished duke's daughter, Rosalind, remains with her cousin Celia. She has fallen in ... See full summary »
British Army captain Geoff Roberts carries on an affair with Alva, the wife of the cruel Victor Sangrito. Sangrito, however, is well aware of the affair, as he uses his beautiful wife to ... See full summary »
During the First World War, Russian officer Ignatoff, wounded, falls in love with his nurse, Natasha. But she is subject to an upcoming marriage of family convenience to Brioukow, a wealthy... See full summary »
A young Russian girl is forced into a life of prostitution in Czarist Russia, and she and a British journalist find their lives endangered when she reveals to him information regarding the social crimes rampant in her country. Written by
Jim Beaver <email@example.com>
1931's "The Yellow Ticket" was adapted from a 1914 play set in 1913 Czarist Russia, with second billed Lionel Barrymore replacing younger brother John in the scenery chewing role of Baron Andreeff, persecuting the young Jewish beauty Marya Kalish (Elissa Landi), whose only means of travel is the Baron's dreaded 'yellow ticket,' branding this virginal schoolteacher a prostitute. 24 year old Laurence Olivier, in only his fourth feature (second in Hollywood), plays British newspaperman Julian Rolfe, who has spent two pleasant months in Russia, but now has his eyes opened to the degradations endured by Marya; his subsequent negative articles incur the wrath of the furious Baron. The luminous Elissa Landi would soon star in her best known vehicle, "The Sign of the Cross," and there are tiny parts for native Russians such as Mischa Auer and Michael Mark. Boris Karloff, just two films away from "Frankenstein," remains typecast as a lecherous drunken orderly, whose unwelcome ministrations get him arrested (his best lecherous drunk came 3 months earlier in "Five Star Final"). This was his third film working with Lionel Barrymore, co-starring in the 1926 silent "The Bells," and in 1929 directed by Lionel in "The Unholy Night."
0 of 0 people found this review helpful.
Was this review helpful to you?