6.9/10
451
10 user 2 critic

Way Back Home (1931)

Passed | | Drama | 13 November 1931 (USA)
Seth Parker takes in Robbie Turner and protects him from his cruel father Rube. When the father disappears, Seth intends to raise Robbie as his own son. The vindictive father attacks Mary ... See full summary »

Director:

(as William Seiter)

Writers:

(story), (screenplay)
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Cast

Complete credited cast:
Phillips Lord ...
Seth Parker (as Phillips H. Lord)
Effie Palmer ...
Mother Parker (as Effie L. Palmer)
...
David Clark
...
Mary Lucy
...
Robbie
Dorothy Peterson ...
Rose Clark
...
Rufe Turner
...
Wobbling Duffy
Sophia M. Lord ...
Lizzie
Bennett Kilpack ...
Cephus
Raymond Hunter ...
Captain Bang
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Storyline

Seth Parker takes in Robbie Turner and protects him from his cruel father Rube. When the father disappears, Seth intends to raise Robbie as his own son. The vindictive father attacks Mary Lucy, a neighbor's daughter who is also trying to help Robbie. Mary's boyfriend David rescues her and Rube runs off with his son. But not for long. Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

Passed | See all certifications »
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Details

Country:

Language:

Release Date:

13 November 1931 (USA)  »

Also Known As:

Other People's Business  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Photophone System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Bette Davis' film debut. See more »

Quotes

Lizzie: Been wanting a good excuse to give a party ever since the Jersey cow started giving such good whipping cream!
See more »

Soundtracks

Old MacDonald Had a Farm
(uncredited)
Traditional children's song
Sung offscreen at the barn dance
See more »

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User Reviews

 
Screen adaptation of popular radio serial
4 May 1999 | by (Chicagoland, IL) – See all my reviews

The story is cliched, the singing is interminable, the acting is weak. About the only time the film comes alive is in the buggy-chase toward the end, a nicely photographed sequence with some impressive stuntwork. A young Bette Davis is the love-interest. Based on a popular radio serial, the story of a Maine preacher who manages to keep his foster son places very little emphasis on the "preaching", more on the common sense humanity of "little people". As such, it has its worth; as a depiction of a cleric, the humanity, not the faith, is what shines through. Occasionally unintentionally hilarious.


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