Seth Parker takes in Robbie Turner and protects him from his cruel father Rube. When the father disappears, Seth intends to raise Robbie as his own son. The vindictive father attacks Mary ... See full summary »
William A. Seiter
Bart is a clerk for a publishing company. He has written a novel. His wife Peggy and he have five children. Bart's former girlfriend, Mildred, is manager of the company's Paris office. She ... See full summary »
Butch Saunders has been transferred to Missing Persons because he was too brutal in other police work. He regards the assignment as "kindergarten" work. When a young woman asks him to help ... See full summary »
In World War I London, Myra is an American out of work chorus girl making ends meet by picking up men on Waterloo Bridge. During a Zeppelin air raid she meets Roy, a naive young American who enlisted in the Canadian army. They fall for each other, and he tricks Myra into visiting his family who live in a country estate outside London, where his step-father is a retired British Major. However Myra is reluctant to continue the relationship with Roy, because she has not told him about her past. Written by
As this picture unfolds on the screen, you will find no maudlin, mushy, run-of-the-mill story, but a triumph of human emotion depicting the glamour of an all-conquering love in the sordid surroundings of a great city. (Print Ad- The Castilian, ((Castile, NY)) 8 October 1931)
Because of its controversial material, censor boards in Chicago, New York City, and Pennsylvania insisted extensive cuts be made to this pre-code film. When the Production Code was enforced in July 1934, it became impossible to re-release the original version of Waterloo Bridge. See more »
Near the end, when Roy goes out looking for Myra, the "sky" he walks under can be seen to be quite wrinkled - it's really a canvas backdrop. See more »
You're bloody well gone queer in the head, haven't ya?
See more »
Having seen Mae Clarke being carried away by Frankenstein and getting a grapefruit in the face by James Cagney, I had a clear image of her but not of her talent.
I agree with the other reviewers that this is one knock-out performance. At a time when many actors in early talkies were still being very stagey (with stilted manners and playing to the back row), Mae Clarke built a performance that was modern and genuine.
The whole production is good (especially Arthur Edeson's cinematography and James Whale's direction), but Clarke's acting is what I'll always remember.
78 of 81 people found this review helpful.
Was this review helpful to you?