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Traveling Husbands (1931)

Several traveling salesmen get involved with business, booze, romance, party girls and a lot more while staying at a hotel Detroit.

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Cast

Cast overview:
...
Ruby Smith
...
Barry Greene
...
Ellen Wilson
...
Hymie Schwartz
Dorothy Peterson ...
Martha Hall
...
Mabel
...
Pinkie
Carl Miller ...
Ben Hall
...
Dan Murphy - House Detective
...
Daisy
Lucille Williams ...
Vera
...
J. C. Wilson
Spencer Charters ...
Joe
Tom Herbert ...
Walter (as Tom Francis)
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Storyline

Several traveling salesmen get involved with business, booze, romance, party girls and a lot more while staying at a hotel Detroit.

Plot Summary | Add Synopsis

Genres:

Comedy | Crime

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Details

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Release Date:

15 August 1931 (USA)  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(RCA Photophone System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The music to the song "There's a Sob In My Heart" by Max Steiner was reused by RKO as Main Titles music for several comedy shorts produced by the studio through the mid-1930's. See more »

Quotes

Dan Murphy - House Detective: Alright, you better go now. The boys have to get some rest so they can work tomorrow. If they don't sell goods, they don't eat.
Ruby Smith: Yep. Me too. So long, suckers.
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User Reviews

 
The one about the traveling salesman
4 January 2012 | by (New York City) – See all my reviews

This RKO precode is a restrained affair, in which much more is implied than directly shown and stronger for that delicacy. It plays nicely with the perception of drummers as a licentious bunch and we do get to see a lot of partying. The script, however, is more about the loneliness of the salesmen and their sense of isolation. Several actors who in just a few years would be reduced to supporting roles, like Hugh Herbert and Frank McHugh, are given a chance to act and Evelyn Brent gives a typically excellent performance.

The technical issues are well handled by Leo Tover, who would be Oscar-nominated several times in his career. He handles the camera beautifully and lights scenes dramatically when they call for it. A kind word should be offered about the uncredited editor, who sets up the process shots beautifully and seamlessly. There is a great montage shot that shows the wild abandon of the party scene that is a model for the effect.


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