Mickey is driving a taxi. His first fare is a very large gentleman. Mickey stops traffic and gets a tongue-lashing from the officer. The cab runs into some bad road, bounces the fare down ... See full summary »
Mickey is playing Christmas carols on a standup bass for change. Alas, all he gets is screws, rocks, and other useless stuff. He plays outside a rich man's window, and the spoiled brat kid ... See full summary »
Mickey and his friends are staging a sort of olympics in a makeshift stadium on his farm. The main event is a sort of quadrathlon, with running, pole vaulting, rowing, and cycling. Mickey ... See full summary »
Mickey, apparently shipwrecked, is on a raft; he washes up on a tropical island, where a banana tree takes care of his hunger. He then discovers a piano that washed ashore, and begins ... See full summary »
Mickey's hunting, along with a characteristically playful and distracted (and uncharacteristically talkative) Pluto. Pluto fetches a forked branch, and Mickey shoots, mistaking it for ... See full summary »
Mickey runs radio station ICU from his barn. His friends play various musical numbers. A cat wanders in and starts yowling (which sets Pluto, who was listing from his doghouse, off). Mickey... See full summary »
It's bath day for Pluto; we open with him already being scrubbed. He gets out, and his tug of war with Mickey and the towel lands Mickey in the tub. The soap jumps out, and Pluto swallows ... See full summary »
Mickey takes Pluto fishing in a boat on a lake, but they aren't too successful. The fish mock them, and even steal the bait can. Finally, the game warden spots them (Mickey had ignored the ... See full summary »
Pluto rescues a bag of kittens from the river. He feels rejected, then, as Mickey ignores him and blames him for damage the kittens do. His angel and devil sides argue with him. Pluto gets ... See full summary »
A fun day at the beach. While Mickey, Horace, and Clarabelle go swimming, or try to, Minnie lays out a picnic. Pluto discovers why you shouldn't chase a crab. Everyone digs in to lunch. ... See full summary »
Mickey is set to ride Thunderbolt in the big race; his owner, the Colonel, has bet everything. But the stable-hands goof off and incapacitate the horse. In desperation, Mickey rents a horse... See full summary »
Mickey is driving a taxi. His first fare is a very large gentleman. Mickey stops traffic and gets a tongue-lashing from the officer. The cab runs into some bad road, bounces the fare down to almost nothing, then bounces the customer right out of the cab. Mickey pulls up to the curb and picks up his second passenger, Minnie. She plays her accordion while they ride. The cab gets a flat tire, and Mickey uses a pig to pump it up. Snake oil salesman Pegleg Pete happens by and pours some of his elixir into the car; it takes off without him, crashes, loses its wheels, and lands on a cow. The cow takes off, crashes into a barn, and then a poultry shed. Written by
Jon Reeves <firstname.lastname@example.org>
Mickey's TRAFFIC TROUBLES begin when he lets an extremely obese customer into his taxi.
This is a fun black & white cartoon, although The Mouse is allowed to be rather cruel to the weaker animals he meets. The frantic, amply uddered bovine he encounters may be an early version of Clarabelle Cow. Peg-leg Pete & Minnie have small roles. Walt Disney supplies the voice for Mickey.
Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Bambi, Peter Pan and Mr. Toad. Walt never forgot that his fortunes were all started by a mouse, or that simplicity of message and lots of hard work always pay off.
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