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A veteran white trader in the darkest Africa of the 1870s mentors a younger companion on the mysteries of the Dark Continent. After meeting a missionary, they go in search of Nina, her kidnapped daughter, who was abducted by natives when she was young and now reigns over the savage tribe, regarded by them as a goddess. When the two men are captured and slated for horrible death by her people, she rescues them, and the trio flees the pursuing tribesmen through savage country. Written by
Metro-Goldwyn-Mayer is indebted to the governmental officials of The Territory of Tanganyika, The Protectorate of Uganda, The Colony of Kenya, The Anglo-Egyptian Sudan, The Belgian Congo, whose co-operation made this picture possible - and to White Hunters Maj. W.V.D. Dickinson, A.S. Waller, Esq., J.H. Barnes, Esq., H.R. Stanton, Esq., for their courageous services through 14,000 miles of African veldt and jungle. See more »
I took a chance on this with a purchase from one of the internet companies manufacturing DVDs from long out of print movie sources. This is a leisurely black and white film of two hours that peaked my interest on several occasions and kept me watching, avidly, for the entire course. The cast is great, with Carey playing a tough hunter-trader who nevertheless displays his tender moments as well. Renaldo, apparently a Romanian at birth, later became the Cisco Kid star of the television serial, plays a likable young man. The lovely Booth, who first appears as little more than a blonde animal, slowly begins to get in touch with her feminine side as the movie progresses. I liked these people along with the stoic and dependable gun-bearer. Filmed over seven months in just the right locations in Africa, the crew was plagued by the hostile elements: Booth became extremely ill as a consequence, and two extras actually died, one to a crocodile and the other to a charging rhinoceros. The movie therefore touched me personally and brought back old memories. In 1978 at the age of 23, the same age that Renaldo plays in the movie, I spent six months in Africa, first crossing the Sahara north to south, then from north Nigeria into Chad and into the Cameroon, Central African Empire, Zaire, and out through Uganda into Kenya. Judging from my experience, I believe that much of the film took place in the Cameroon, Central African Empire and northeastern Zaire (Congo). My troubles were not with marauding tribesmen, but with killer bees, various revolutions, sundry criminals, millions of army ants, bad water, and scorpions, etc. I personally attest that these are real Africans, real African villages, real animals, and this authenticity, including the native drums, brought me back to my youth and life living on the ground in a small tent through similar villages and terrain. Three exciting phases in the film hit me hard: all while in the native villages. When you are vastly outnumbered on somebody else's terrain and they are armed with spears and growing excited from the relentless throb of the drums, you might count your life in seconds. Ah, but it beats dying slowly behind a desk! You will flinch at several of the racist words in this film, but will also recognize the love and respect between Carey and his gun-bearer. Such emotions come easy between men who have each other's backs. Grab this film and sit back and enjoy without distraction!
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