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"Three Who Loved" could have been an interesting psychological melodrama in which basically good people do bad or foolish things, while selfish, self-centered individuals are colored gray, not black. But somewhere along the way someone decided that such complexity would be too much for moviegoers to handle. Thus, characterizations are inconsistent and simplistic, while the plot is filled with coincidences and melodramatic cliches (and it's made even worse by an atrocious, absurd ending). Betty Compson was a capable performer, but she's totally lost in the part of the foolish immigrant who exchanges love and security for thrills and good times. An ill-fitting blond wig and a Swedish accent straight out of the Beaver, Utah, School for Actors do not help matters any. Director George Archainbaud, a well-known name during the silent era, apparently slept throughout the production. With movies such as "Three Who Loved," it's no wonder that the careers of popular silent players Compson and Conrad Nagel floundered in the early 1930s.
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