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William A. Wellman
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... I wouldn't give you a plugged nickel for that heel husband of hers.
When we first meet Barbara O'Neill (Barbara Stanwyck) she's hustling dances at a dime a piece in a cheap Depression era dance hall. She seems to have a good enough head on her shoulders, one good enough to prevent her from descending down into prostitution or believing the lies of the customers that might want things to go further. This is not the tough hardened Stanwyck of Baby Face. However she genuinely likes Bradley Carlton (Ricardo Cortez), a wealthy businessman who just enjoys talking to her. She asks him for one favor, and that not for herself - to hire an out of work and soon to be homeless young guy who lives at the same boarding house she does, Eddie Miller (Monroe Owsley). She gets her favor.
For some reason the common sense Barbara has with men in the dance hall seems to elude her when it comes to Eddie. Beggars can't be choosers, but unfortunately so many are and Eddie is no exception. When he learns Barbara is working in a dance hall, not a dance school as she told him, he busts in and insists she quits and manages to fit a proposal somewhere in there too. The two hastily marry, and Eddie, once so grateful for a forty dollar a week job that would keep him fed and a roof over his head soon wants more than he has - more of a job, a higher class lifestyle, maybe even a higher class woman. I'll let you watch and see where all of this goes.
It was fun to see Ricardo Cortez playing a good guy for a change - not a doormat - just a good guy. I also really liked the playing of the title song in its entirety after the movie ends - it was a nice Depression era touch.
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