In one island of Bora Bora lagoon, a young fisherman, Matahi, is in love with Reri. But she is chosen to be the holy maid and therefore becomes "tabu". They ran away from that tradition. ... See full summary »
Many passengers on the Shanghai Express are more concerned that the notorious Shanghai Lil is on board than the fact that a civil war is going on that may make the trip take more than three... See full summary »
Josef von Sternberg
Anna May Wong
Life story of a charming scoundrel, with little dialogue other than the star/director's witty narration. As a boy, only he survives a family tragedy when he's deprived of supper (poisonous ... See full summary »
In this uncredited and apparently lost version of Robert Louis Stevenson's "The Strange Case of Dr. Jekyll and Mr. Hyde" the protagonist is Dr. Warren, who indulges his evil nature by ... See full summary »
In one island of Bora Bora lagoon, a young fisherman, Matahi, is in love with Reri. But she is chosen to be the holy maid and therefore becomes "tabu". They ran away from that tradition. Will they be happier and luckier in the more "civilized" society ? Written by
Originally conceived as a co-venture with documentarian Robert J. Flaherty. As work on the project progressed, it became increasingly clear to Flaherty that F.W. Murnau did not adapt well to co-directing and that he was being squeezed off the film. A factor helping Murnau in this was that he was one of the chief financiers. See more »
[writing a goodbye letter]
I must go. Hitu is here and waits for me. You will die if I do not obey. I will go so that you may live. The tabu is upon us. I have been so happy with you far more than I deserved. The love you have given me, I will keep to the last beat of my heart. Across the great waters, I will come to you in your dreams when the moon spreads its path on the sea. Farewell.
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There has never been another film like "Tabu". This is a unique blending of ethnographic documentary and expressionist drama, from two directors who were masters of these forms.
The actors are real Polynesians and their ceremonies and rituals are faithfully captured, and interwoven with a tragic love story. The cinematography deservedly won an Oscar - it is truly beautiful. Murnau, away from his usual studio sets, manages to create the same sense of danger using natural light - especially moonlight - and real locations.
The performances are very strong - especially Chevalier as the girl, and the old man is as scary as Nosferatu as he haunts her dreams at night.
Sadly this was Murnau's last film - he died in a car crash just before the premiere. It is a little dramatically uneven, and certainly not the masterpiece that "Sunrise" is, but it is still very worthwhile.
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