Western pardners Jeff and Cash find a baby boy in an otherwise deserted emigrants' camp, and clash over which is to be "father." They are still bitterly feuding years later when they own ... See full summary »
Gösta Berling is a young and attractive minister. Because he is an alcoholic and his preaches are far too daring, he is finally defrocked. He leaves the town in disgrace and arrives at ... See full summary »
The life of Irish politician Charles Stewart Parnell, following from 1880 onward his struggle to free his country from English rule, pursued in prison, Parliament, and elsewhere. Emphasis ... See full summary »
Susan, an orphan, lives the life of Cinderella with rustic relatives. She escapes one stormy night when the fiance her relatives chose tries to force his attentions. Rodney, an architecht, is the prince who rescues her, but he has to take a trip and the wicked relatives catch up with her again. Her next rescuer is a tatooed lady in a circus who can't save her from the circus manager. Rodney shows up and dismisses her as a fallen woman. Susan moves up in the world to the penthouse of a politician who can offer a construction contract to Rodney. Rodney says no and flees to the jungle with Susan in pursuit. Written by
Dale O'Connor <email@example.com>
When MGM chief Irving Thalberg found that three secretaries in his outer office remembered the 1917 David Graham Phillips novel well even though it had been missing from bookstores for over ten years, he decided to purchase the screen rights as a vehicle for Garbo. See more »
[Pointing out a scantily clad, exotic, possibly Hindu, dancing girl to the crowd]
She might be a little dark, but she'll be a bright spot in your memories.
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This film is noteworthy because of the unique, mysterious, and wonderful screen presence of Greta Garbo. She is thoroughly convincing as the vulnerable young woman at the beginning of the film, and as her character becomes more worldly but still vulnerable she remains convincing. Occasionally she might lapse into acting that would seem to the modern viewer to be overly dramatic, but overall she is brilliant. Clark Gable is okay, but the construction of the film from a plot standpoint left something to be desired. Some things needed to be explained better. This seems to be a common problem with many early sound films as most of the 1928-31 sound films that I have seen are at times disjointed, leaving the viewer wondering why something occurred. That said, I recommend this film because of Garbo.
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