Gum-chewing frizzy-haired gold-digger Marie Skinner cooks up a scheme with her lover Babe Winsor, a jazz hound, to fleece a portly, middle-aged real estate tycoon, William Judson. Marie ... See full summary »
Karl, a German diplomat in Paris, discovers that his fiancee, Diane, has been cheating on him. He tells her that he would rather marry a "girl of the streets" than her. Outraged, Diane ... See full summary »
Geoffrey, a young and impoverished writer, is desperately in love with Mavis, who lives at his boardinghouse and is also pursuing a writing career. Unable to marry her because of his ... See full summary »
Judge Foster throws his daughter out because she married a circus man. She leaves her baby girl with Prof. McGargle before she dies. Years later Sally is a dancer with whom Peyton, a son of... See full summary »
Nora Moran, a young woman with a difficult and tragic past, is sentenced to die for a murder that she did not commit. She could easily reveal the truth and save her own life, if only it ... See full summary »
I'm glad to see that the previous comments have been charitable. It's interesting that Griffith was filming the same type of story back in 1909 at Biograph. There are several characteristic Griffith touches in this film -- for instance, the tenderness of the wife when her husband first comes home drunk to her, and in the penultimate scene at his bedside. I'm sorry this picture never had a general release because it is well worth seeing. Chaplin made a silent film as late as 1931; perhaps Griffith should have taken a chance and done that with "The Struggle," because it may have worked better as a silent. References are made to the early days of Griffith's career in the opening scenes of the film; 1911 would seem to have been more remote to a 1931 audience than, perhaps, 1987 seems to us today. A fascinating film.
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