In a hot summer afternoon in New York, Emma Jones gossips with other neighbors of her residential building about the affair of Mrs. Anna Maurrant and the milkman Steve Sankey. When the rude Mr. Frank Maurrant arrives, they change the subject. Meanwhile, their teenage daughter Rose Maurrant is sexually harassed by her boss Mr. Bert Easter; however, she likes her Jewish neighbor Sam that has a crush on her. On the next morning, Frank tells that is traveling to Stanford on business. Mrs. Maurrant meets the gentle Sankey in her apartment, but out of the blue Frank comes back home in an announced tragedy. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
This is my favorite Hollywood movie of the thirties, and it's hard to tell why. It has a radiance that no other movie has. It's filmed theater, but somehow more alive than real life. It takes ordinary life and challenges us to see the beauty in it, or even the ugliness, anything rather than nothing. It depicts a sordid life, but isn't all life sordid? All actors are wonderful, especially Bondi and Sydney. The camera work is a dream. It makes you love people. Cheap theatrics are deftly avoided. This is art. It makes a symphony of cacophony.
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