After accidentally killing the man who raped her and forced her into prostitution, a New Orleans woman flees to a Caribbean island. While she awaits her fiancé, the vicious local police chief sets his sights on her.
William A. Wellman
In a juke joint, sharecropper Zeke falls for a beautiful dancer, Chick, but she's only setting him up for a rigged craps game. He loses $100, the money he got for the sale of his family's ... See full summary »
Daniel L. Haynes,
Nina Mae McKinney,
Young Harry is in love and wants to marry an actress, much to the displeasure of his family. Harry thinks that Bishop Armstrong knows nothing about love so Armstrong tells him the story of ... See full summary »
Hildy Johnson, newspaper reporter, is engaged to Peggy Grant and planning to move to New York for a higher paying advertising job. The court press room is full of lame reporters who invent ... See full summary »
Attorney Tom Cardigan is the discontented "mouthpiece" for Vanny Powers' mob. When Tom takes sweet June Perry as his mistress, she tries in vain to redeem him. But Powers decides Tom would ... See full summary »
Rosa Moline is bored with life in a small town. She loves Chicago industrialist Neil Latimer who has a hunting lodge nearby. Rosa squeezes her husband's patients to pay their bills so she ... See full summary »
In a hot summer afternoon in New York, Emma Jones gossips with other neighbors of her residential building about the affair of Mrs. Anna Maurrant and the milkman Steve Sankey. When the rude Mr. Frank Maurrant arrives, they change the subject. Meanwhile, their teenage daughter Rose Maurrant is sexually harassed by her boss Mr. Bert Easter; however, she likes her Jewish neighbor Sam that has a crush on her. On the next morning, Frank tells that is traveling to Stanford on business. Mrs. Maurrant meets the gentle Sankey in her apartment, but out of the blue Frank comes back home in an announced tragedy. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
It shows its age, and that's part of its charm. It's filled with old-fashioned ethnic stereotypes, but that makes it even more fascinating. This movie is a time machine; hop into it and you'll see a gritty and realistic picture of working-class New York City life in the early 1930s. It's pre-Code, so the language is blunt and the sexuality more open. The plot isn't Shakespeare, but it grabs onto you anyway, and the characters are so attractive and watchable that you become part of their neighborhood. A piece of cinematic and social history that is well worth your 80 minutes of time.
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