After accidentally killing the man who raped her and forced her into prostitution, a New Orleans woman flees to a Caribbean island. While she awaits her fiancé, the vicious local police chief sets his sights on her.
William A. Wellman
Hildy Johnson, newspaper reporter, is engaged to Peggy Grant and planning to move to New York for a higher paying advertising job. The court press room is full of lame reporters who invent ... See full summary »
Lil works for the Legendre Company and causes Bill to divorce Irene and marry her. She has an affair with businessman Gaerste and uses him to force society to pay attention to her. She has ... See full summary »
In a hot summer afternoon in New York, Emma Jones gossips with other neighbors of her residential building about the affair of Mrs. Anna Maurrant and the milkman Steve Sankey. When the rude Mr. Frank Maurrant arrives, they change the subject. Meanwhile, their teenage daughter Rose Maurrant is sexually harassed by her boss Mr. Bert Easter; however, she likes her Jewish neighbor Sam that has a crush on her. On the next morning, Frank tells that is traveling to Stanford on business. Mrs. Maurrant meets the gentle Sankey in her apartment, but out of the blue Frank comes back home in an announced tragedy. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Even though this is a filmed version of a stage play, it never seems like a "filmed play," thanks to the fluid camera work and the excellent direction of King Vidor. The film is vibrant throughout and, at about an hour and 18 minutes, for me wasn't long enough. It never seems quaint or clunky, the way a lot of movies from this era do. Sylvia Sidney is the best known person in the cast but there are a few familiar faces among the supporting cast, such as Beulah Bondi and John Qualen. All are excellent. Highly recommended for the serious viewer interested in seeing filmed American literature.
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