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The Squaw Man (1931)

Passed | | Western | 5 September 1931 (USA)
Jim Wyngate, an English aristocrat, comes to the American West under a cloud of suspicion for embezzlement actually committed by his cousin Lord Henry. In Wyoming, Wyngate runs afoul of ... See full summary »

Director:

(as Cecil B. De Mille)

Writers:

(by), (screen play) | 2 more credits »
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Cast

Cast overview, first billed only:
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Henry - Earl of Kerhill
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Mrs. Chichester Jones
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Big Bill (as J. Farrell McDonald)
Mitchell Lewis ...
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Andy
Frank Rice ...
Eva Dennison ...
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Storyline

Jim Wyngate, an English aristocrat, comes to the American West under a cloud of suspicion for embezzlement actually committed by his cousin Lord Henry. In Wyoming, Wyngate runs afoul of cattle rustler Cash Hawkins by rescuing the Indian girl Naturich from Hawkins. Wyngate marries Naturich, but then learns that his cousin Lord Henry has been killed and has cleared his name before dying. As Wyngate has long loved Lady Diana, Lord Henry's wife, he is perplexed at his situation. But fate takes a hand and resolves matters as Wyngate could not have predicted. Written by Jim Beaver <jumblejim@prodigy.net>

Plot Summary | Add Synopsis

Genres:

Western

Certificate:

Passed | See all certifications »
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Details

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Release Date:

5 September 1931 (USA)  »

Also Known As:

O Exilado  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Final film of Kathryn Adams. See more »

Connections

Featured in Cecil B. DeMille: American Epic (2004) See more »

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User Reviews

 
Repeating Mistakes
13 February 2005 | by See all my reviews

Lupe Vélez proves that a Mexican playing a Native American in the United States isn't necessarily any less insulting than a white person taking the part. Here, Vélez doesn't even dress the part--wearing traditional Mexican-looking clothes. I would overlook the racism inherit in "The Squaw Man" melodrama--cloaked in the selling point of miscegenation--if there were anything more to the picture. Cecil B. DeMille was shot at while making the 1914 version of the hackneyed stage soap opera, and this time he lost his job. If anyone finds the 1918 version, I'll pass. Why did DeMille bother? In 1914, he was learning the craft; by 1931, he was a competent filmmaker, who had since surrendered his ambitions for artistic innovation in favor of lowbrow commercialism. I suppose, then, that it made sense for DeMille to try a talkie remake of his first box-office success. The plot is slightly more coherent this outing, but remains very contrived. The acting and dialogue are atrocious.

(There's also a scene where Vélez undresses.)


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