Jim Wyngate, an English aristocrat, comes to the American West under a cloud of suspicion for embezzlement actually committed by his cousin Lord Henry. In Wyoming, Wyngate runs afoul of ...
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From aboard the IMDboat at San Diego Comic-Con, Kevin Smith talks to the cast of "Teen Wolf" about the solemn yet celebratory panel for the upcoming season. This news and more in our Guide to Comic-Con.
Captain Wynnegate leaves England, accepting the blame for embezzling charity funds though knowing that his cousin Sir Henry is guilty. Out West he and the Indian girl Nat-U-Rich save each ... See full summary »
Cecil B. DeMille
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Robert will do anything to get the big account that has eluded him. His public relations business makes public angels of rich scoundrels. Jean needs someone to save the paper and she wants ... See full summary »
Olivia de Havilland,
Angela and Bob Brooks are an upper class couple. Unfortunately, Bob is an unfaithful husband. But Angela has a plan to win back her husband's affections. An elaborate masquerade ball is to ... See full summary »
Jim Wyngate, an English aristocrat, comes to the American West under a cloud of suspicion for embezzlement actually committed by his cousin Lord Henry. In Wyoming, Wyngate runs afoul of cattle rustler Cash Hawkins by rescuing the Indian girl Naturich from Hawkins. Wyngate marries Naturich, but then learns that his cousin Lord Henry has been killed and has cleared his name before dying. As Wyngate has long loved Lady Diana, Lord Henry's wife, he is perplexed at his situation. But fate takes a hand and resolves matters as Wyngate could not have predicted. Written by
Jim Beaver <email@example.com>
Lupe Vélez proves that a Mexican playing a Native American in the United States isn't necessarily any less insulting than a white person taking the part. Here, Vélez doesn't even dress the part--wearing traditional Mexican-looking clothes. I would overlook the racism inherit in "The Squaw Man" melodrama--cloaked in the selling point of miscegenation--if there were anything more to the picture. Cecil B. DeMille was shot at while making the 1914 version of the hackneyed stage soap opera, and this time he lost his job. If anyone finds the 1918 version, I'll pass. Why did DeMille bother? In 1914, he was learning the craft; by 1931, he was a competent filmmaker, who had since surrendered his ambitions for artistic innovation in favor of lowbrow commercialism. I suppose, then, that it made sense for DeMille to try a talkie remake of his first box-office success. The plot is slightly more coherent this outing, but remains very contrived. The acting and dialogue are atrocious.
(There's also a scene where Vélez undresses.)
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