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The Squaw Man (1931)

Passed  |   |  Drama, Western  |  5 September 1931 (USA)
6.6
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Ratings: 6.6/10 from 196 users  
Reviews: 5 user | 2 critic

Jim Wyngate, an English aristocrat, comes to the American West under a cloud of suspicion for embezzlement actually committed by his cousin Lord Henry. In Wyoming, Wyngate runs afoul of ... See full summary »

Director:

(as Cecil B. De Mille)

Writers:

(by), (screen play), 2 more credits »
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Cast

Cast overview, first billed only:
...
...
...
...
...
Paul Cavanagh ...
Henry - Earl of Kerhill
Raymond Hatton ...
...
Mrs. Chichester Jones
DeWitt Jennings ...
J. Farrell MacDonald ...
Big Bill (as J. Farrell McDonald)
Mitchell Lewis ...
...
Victor Potel ...
Andy
Frank Rice ...
Eva Dennison ...
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Storyline

Jim Wyngate, an English aristocrat, comes to the American West under a cloud of suspicion for embezzlement actually committed by his cousin Lord Henry. In Wyoming, Wyngate runs afoul of cattle rustler Cash Hawkins by rescuing the Indian girl Naturich from Hawkins. Wyngate marries Naturich, but then learns that his cousin Lord Henry has been killed and has cleared his name before dying. As Wyngate has long loved Lady Diana, Lord Henry's wife, he is perplexed at his situation. But fate takes a hand and resolves matters as Wyngate could not have predicted. Written by Jim Beaver <jumblejim@prodigy.net>

Plot Summary | Add Synopsis

Genres:

Drama | Western

Certificate:

Passed | See all certifications »
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Details

Country:

Language:

Release Date:

5 September 1931 (USA)  »

Also Known As:

O Exilado  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Final film of Kathryn Adams. See more »

Connections

Featured in Private Screenings: Child Stars (2006) See more »

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User Reviews

 
DeMille's Desert Saga
20 December 2004 | by (Forest Ranch, CA) – See all my reviews

An English aristocrat becomes 'THE SQUAW MAN' after leaving Britain under mysterious circumstances and marrying an Indian maiden in the American West.

At the end of the Silent Era, famed director Cecil B. DeMille signed a deal with MGM to produce three pictures over three years. For the first two--DYNAMITE (1929) and MADAM Satan (1930)--he pulled out all the stops to present lavish photoplays of New York high society, with a mine cave-in and a dirigible disaster to liven things up.

For his third film at MGM DeMille returned to his favorite story, which he'd already filmed twice before as a silent. For this talkie version he kept the story simple, without special effects or unnecessary melodrama. He also made outstanding use of filming on location in Arizona. The result is a well-made film with a poignant storyline and an emotionally gripping conclusion.

While Warner Baxter's American accent makes him rather unbelievable as an Englishman, this can be easily overlooked because of his fine performance. Steadfast & strong, he makes a sturdy hero. But acting honors go to Lupe Velez, who strips away all unnecessary technique & mannerisms to deliver an uncomplicated, heartbreaking portrayal of a primitive woman wholly devoted to the man she adores and their son. Without even trying, she completely dominates the film.

The rest of the cast also make their mark in much smaller roles: beautiful Eleanor Boardman as the titled Englishwoman Baxter loves; owlish Roland Young as Baxter's best friend; shifty Paul Cavanagh as the feckless Earl of Kerhill; and Julia Faye as a fox hunting American widow.

Out West, the cast includes angry Charles Bickford as a murderous rancher intent on grabbing Buzzards Pass from Baxter; bullying DeWitt Jennings as the corrupt sheriff of Maverick; J. Farrell MacDonald as Baxter's loyal ranch hand; and little Dickie Moore, one of the OUR GANG kids, as the lively son of Baxter & Velez. Wizened old Luke Cosgrave gives a few humorous moments as the cantankerous driver of a desert jalopy.

DeMille's sojourn at MGM was not a commercial success for the Studio. His contract wasn't extended and he returned to Paramount, where he would soon commence on some of the most popular films of his career.


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