Five members of a teen-age gang, including leader Jimmy Smith, are sent to the State Reformatory, presided over by the melodramatically callous Thompson. Soon, Patsy Gargan, a former ... See full summary »
Russ Ward, after 30 years of producing Broadway plays, is ready to quit. His secretary, Ellie Brown, on being given notice, tells him she loves him. Russ proceeds to turn this into a hit ... See full summary »
At a mayors convention in San Francisco, ex-longshoreman Steve Fisk meets Clarissa Standish from New England. Fisk is mayor of "Puget City" and is proud of his rough and tumble background. ... See full summary »
Western pardners Jeff and Cash find a baby boy in an otherwise deserted emigrants' camp, and clash over which is to be "father." They are still bitterly feuding years later when they own ... See full summary »
Hard-hitting news editor Jim Branch falls for high-society type Sharon Norwood but can't get to first base as he continually makes use of her knowledge of the rich and famous to try to ... See full summary »
Robert Z. Leonard
Lee is a fresh young kid from the South when he gets a job with The Press. His first assignment on gangsters gets his name in the paper, the police on a raid and Lee in the hospital. He ... See full summary »
John Francis Dillon
Myles Vanders feuds with hardnosed stable owner Davis Lockwood. Myles takes revenge by romancing and marrying Lockwood's daughter Linda. But as the big race looms nearer, Myles is ... See full summary »
S. Sylvan Simon
Valued thoroughbred mare Southern Queen slips and falls in a mud puddle, breaking her leg. Before she is destroyed, she gives birth to Tommy Boy, who becomes the favorite of his owner, horse breeder Jim Rellence. Ultimately a reluctant Rellence is forced to sell the one-year old to a prominent sportsman, and Tommy enters the world of high stakes racing. He goes through a variety of owners, all of whom have their own selfish agenda for the horse. Ultimately he ends up with Ruby, the mistress of a murdered racketeer, who wants Tommy to fulfill his true potential as a stakes horse and enters him in the Kentucky Derby. Written by
SPORTING BLOOD is a story of a struggle for redemption of a horse and its owner.
SPORTING BLOOD which stars Madge Evans and Clark Gable is a film with its central thesis being the struggle for redemption of both an abused race horse named "Tommy Boy" and its owner Madge Evans. This film fairly bursts with love for horses and horse racing. In fact, the first thirty minutes are devoted to horses without any appearance on the part of the two stars. When they do enter the story, we immediately are thrust into a world of gangsters and their associates, including both Evans and Gable. Each has made compromises in order to get where they are. She sees a chance to straighten her life out when she inherits "Tommy Boy." The question is... can she? And what of her relationship with Gable? Is there enough decency left in him to chart a new course?
This film is a classic example of the old studio system at work. Both Madge Evans, and Clark Gable, were brand new at MGM. The studio bosses weren't at all sure how well either star would fare with the public. Hence, though each was working on another picture, the studio assigned them to work on weekends and holidays when they filmed SPORTING BLOOD. Only in Hollywood!
In fact, there is a sense of freshness about this film. It hasn't the ordinary Hollywood veneer to it. It makes no pretensions and avoids clichés typical of so many similar films of the 1930s. Evans and Gable are absolutely marvelous in their respective roles. Evans is especially fresh and beautiful. But... it is the way blacks are treated in this film that set it apart from most films of its time. "Tommy Boy's" trainer, Uncle Ben is black. He is as far removed from Stepin Fetchit as a teacher is from an illiterate. Indeed, Uncle Ben is central to the plot... and in as loving a manner as could be imagined. This alone sets out SPORTING BLOOD as a better film by far than many others of its day.
Finally, the camera technology was fairly crude in 1931. Film speeds were slow and the cameras sometimes weighed five hundred pounds. Remember this when you watch the racing scenes. The photography is impressive.
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