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Sporting Blood (1931)

Passed  -  Drama | Romance | Sport  -  8 August 1931 (USA)
6.2
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Ratings: 6.2/10 from 224 users  
Reviews: 14 user | 4 critic

The saga of thoroughbred Tommy Boy, born in a rain puddle, and his various owners as he evolves into a a champion stakes horse.

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(story), (screenplay), 2 more credits »
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Title: Sporting Blood (1931)

Sporting Blood (1931) on IMDb 6.2/10

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Cast

Complete credited cast:
...
Warren 'Rid' Riddell
Ernest Torrence ...
Mr. Jim Rellence
...
Miss 'Missy' Ruby
Lew Cody ...
Tip Scanlon
...
Angela 'Angie' Ludeking
Hallam Cooley ...
Bill Ludeking
J. Farrell MacDonald ...
MacGuire (as J. Farrell McDonald)
John Larkin ...
Uncle Ben
Eugene Jackson ...
Sam 'Sammy'
Tommy Boy ...
Himself, a Horse
Rest of cast listed alphabetically:
Charles Curtis ...
Himself, Vice-President of the United States, at Kentucky Derby (archive footage)
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Storyline

Valued thoroughbred mare Southern Queen slips and falls in a mud puddle, breaking her leg. Before she is destroyed, she gives birth to Tommy Boy, who becomes the favorite of his owner, horse breeder Jim Rellence. Ultimately a reluctant Rellence is forced to sell the one-year old to a prominent sportsman, and Tommy enters the world of high stakes racing. He goes through a variety of owners, all of whom have their own selfish agenda for the horse. Ultimately he ends up with Ruby, the mistress of a murdered racketeer, who wants Tommy to fulfill his true potential as a stakes horse and enters him in the Kentucky Derby. Written by duke1029@aol.com

Plot Summary | Add Synopsis

Genres:

Drama | Romance | Sport

Certificate:

Passed
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Details

Country:

Language:

Release Date:

8 August 1931 (USA)  »

Also Known As:

Vollblut  »

Filming Locations:

 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

At Churchill Downs, the announcer credits Vice President Charles Curtis, who is clearly visible. See more »

Goofs

When Southern Queen falls in the mud, a trip wire is clearly visible on the horse's hind leg. See more »

Quotes

Warren 'Rid' Riddell: [Seeing Ruby taking a drink out of a flask in the back of Scanlon's limo] Aw, don't do that, Ruby!
Miss 'Missy' Ruby: Why not?
Warren 'Rid' Riddell: I hate to see anyone hit the hootch the way you do.
Miss 'Missy' Ruby: You don't know how bad I need this drink.
Warren 'Rid' Riddell: It's not good medicine.
Miss 'Missy' Ruby: It is for what ails me.
Warren 'Rid' Riddell: What's that?
Miss 'Missy' Ruby: You.
See more »

Crazy Credits

...to Man-O'-War, Zev, Crusader, Fair Play, Gallant Fox, Twenty-Grand and all the heroes of the turf and track, this record is reverently dedicated. See more »

Connections

Featured in Clark Gable: Tall, Dark and Handsome (1996) See more »

Soundtracks

My Old Kentucky Home, Good Night
(1853)
Written by Stephen Foster
In the score for the opening scene at Jim's horse farm
Reprised in the score when Tommy Boy leaves the farm
Reprised in the score when Tommy Boy returns to the farm
Reprised in the score at the end
See more »

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User Reviews

 
A movie with a heart for horses
20 August 2011 | by (SF, Madison, Buffalo) – See all my reviews

This is the first movie I have seen about horses that understands horses. It also understands, better than most, the ties that grow between the people that work with horses and their charges. The stable hands and breeder roles are developed. Indeed, the stable hands are all black and (for the time) are shown with a range of emotions, humanity, and (shockingly) as having families.

Furthermore the horses are represented as having community among themselves, communicating among themselves, and even caring about the fates of other horses. Add to this the remarkable and touching scenes between the stable hands (notably John Larkin and Eugene Jackson)and the horses throughout the film. The breeder is also notably tender hearted.

The starring roles and plot are well handled. Gable appears late in the film, but commands attention. The female lead is played with backbone and heart. The plot moves swiftly, but not at the expense of creating empathy with the situations at hand. I look forward to exploring further films directed by Charles Brabin.


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