A kitchen is filled with houseflies. A spider wakes up and plays his web like a harp, attracting a pair of them; the female is trapped, and the male summons the cavalry, which arrives ... See full summary »
Mickey and his friends are staging a sort of olympics in a makeshift stadium on his farm. The main event is a sort of quadrathlon, with running, pole vaulting, rowing, and cycling. Mickey ... See full summary »
Mickey heads over to see Minnie, but Pluto won't leave him alone. He gets there and watches through the window, standing on Pluto, while Minnie plays piano. Pluto runs off to chase a cat ... See full summary »
The emperor's musicians play their instruments (and a stray cat) while the ladies of the court dance. Meanwhile, the children fish and play. But soon, the children anger the emperor, who ... See full summary »
Insects have made a playground/carnival out of castoffs, featuring "ice skating" on mirrors. Two love bugs head off to a more private area. But their fun is interrupted when a crow comes by... See full summary »
A kitchen is filled with houseflies. A spider wakes up and plays his web like a harp, attracting a pair of them; the female is trapped, and the male summons the cavalry, which arrives riding horseflies, riding dragonflies to drop pepper bombs, firing champagne bottles, and ultimately setting the web on fire and catching the spider on flypaper when he falls. Written by
Jon Reeves <firstname.lastname@example.org>
It's showdown time for THE SPIDER AND THE FLY when the ugly arachnid attacks a pair of insect lovers...
Good versus Evil in this early black & white cartoon. The Spider is one of the first Disney characters to show a hint of all the wonderfully wicked villains to come from the Studio in later years. Clever opening, with the swarm of flies frolicking on the upside down ceiling.
The SILLY SYMPHONIES, which Walt Disney produced for a ten year period beginning in 1929, are among the most interesting of series in the field of animation. Unlike the Mickey Mouse cartoons in which action was paramount, with the Symphonies the action was made to fit the music. There was little plot in the early Symphonies, which featured lively inanimate objects and anthropomorphic plants & animals, all moving frantically to the soundtrack. Gradually, however, the Symphonies became the school where Walt's animators learned to work with color and began to experiment with plot, characterization & photographic special effects. The pages of Fable & Fairy Tale, Myth & Mother Goose were all mined to provide story lines and even Hollywood's musicals & celebrities were effectively spoofed. It was from this rich soil that Disney's feature-length animation was to spring. In 1939, with SNOW WHITE successfully behind him and PINOCCHIO & FANTASIA on the near horizon, Walt phased out the SILLY SYMPHONIES; they had run their course & served their purpose.
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