Rollo and Lane just happen to be tossed off the train at White Beach where Robert Story -Air ace and writer- is supposed to stop. It is a case of mistaken identity as no one knows what ... See full summary »
John is a timid student who works at the University Book Store. He is studying to be a botanist and has a secret crush on the lovely Julia. One day, one of his letters gets accidentally ... See full summary »
Alexander Graham Bell falls in love with deaf girl Mabel Hubbard while teaching the deaf and trying to invent means for telegraphing the human voice. She urges him to put off thoughts of ... See full summary »
Polio breaks out in Rio de Janeiro, the serum is in Santiago and there's only one way to get the medicine where it's desperately needed: flown in by daring pilots who risk the treacherous weather and forbidding peaks of the Andes.
Three separate stories concerning relationship issues are presented, each largely taking place in suite 719 of the Plaza Hotel in New York City. In story one, suburban New Yorkers Sam and ... See full summary »
Joe E. Brown is very good in this comedy about a health camp that occasionally tries to go the crazy comedy route -- he and Winnie Lightner together sound like Wheeler and Woolsey -- but, despite many good moments, the whole thing is less chaotic than muddled.
Mr. Brown, who rose to prominence in SALLY, was moving out of the musical-comedy roles that had defined him on stage into the brash roles that became his type for the next ten years. Sometimes, as noted, he sounds like half of Wheeler and Woolsey, sometimes he sounds like Charley McCarthy and sometimes he seems to be channeling Bert Lahr. He is excellent at the physical comedy -- his circus background was a real asset to physical comedy -- and it's easy to see why within a couple of years he would be one of Warner Brothers' biggest stars.
Miss Lightner sings one song and scraps with Mr. Brown, who is in love with her and there is a considerable subplot with young lovers Paul Gregory and Claudia Dell -- he's quite good and she is gorgeous. Tom Kennedy has a nice hulking bit. But despite some nice comedy construction, the remnants of a standard 1920s musical comedy plot render this antiquated.
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