Jack's father is sending Jack away to keep him from the gambling, booze, girls and late nights. He has Ossie go as Jack's companion, not knowing that Ossie does the same things as Jack. ... See full summary »
Joe E. Brown,
William Collier Jr.
Rollo and Lane just happen to be tossed off the train at White Beach where Robert Story -Air ace and writer- is supposed to stop. It is a case of mistaken identity as no one knows what ... See full summary »
John is a timid student who works at the University Book Store. He is studying to be a botanist and has a secret crush on the lovely Julia. One day, one of his letters gets accidentally ... See full summary »
Calvin Jones is a cowboy who wants to invest in a Broadway play. Ruth Weston, a secretary, learns that her boss, Joe Lehman, is attempting to swindle Jones and pulls a successful coup d'etat producing a play that she stars in.
A college football player (Joe E. Brown) persuades a beautiful young woman (Joan Bennett) to individually flirt with an entire team of All-American football players, in order to entice them... See full summary »
Sally was an orphan who got her name from the telephone exchange where she was abandoned as a baby. In the orphanage, she discovered the joy of dancing and has been practicing since. ... See full summary »
John Francis Dillon
Joe E. Brown
Josephine Spiggins is thinking of marrying John Spear, the stuffed-shirt son of a department store owner. When John's free-spirit brother Tony returns from touring the South Seas in his ... See full summary »
Joe E. Brown is very good in this comedy about a health camp that occasionally tries to go the crazy comedy route -- he and Winnie Lightner together sound like Wheeler and Woolsey -- but, despite many good moments, the whole thing is less chaotic than muddled.
Mr. Brown, who rose to prominence in SALLY, was moving out of the musical-comedy roles that had defined him on stage into the brash roles that became his type for the next ten years. Sometimes, as noted, he sounds like half of Wheeler and Woolsey, sometimes he sounds like Charley McCarthy and sometimes he seems to be channeling Bert Lahr. He is excellent at the physical comedy -- his circus background was a real asset to physical comedy -- and it's easy to see why within a couple of years he would be one of Warner Brothers' biggest stars.
Miss Lightner sings one song and scraps with Mr. Brown, who is in love with her and there is a considerable subplot with young lovers Paul Gregory and Claudia Dell -- he's quite good and she is gorgeous. Tom Kennedy has a nice hulking bit. But despite some nice comedy construction, the remnants of a standard 1920s musical comedy plot render this antiquated.
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