| Helen Hayes | ... | Madelon Claudet | |
| Lewis Stone | ... | Carlo Boretti | |
| Neil Hamilton | ... | Larry Maynard | |
| Cliff Edwards | ... | Victor Lebeau | |
| Jean Hersholt | ... | Dr. Dulac | |
| Marie Prevost | ... | Rosalie Lebeau | |
| Robert Young | ... | Dr. Lawrence Claudet | |
| Karen Morley | ... | Alice Claudet | |
| Charles Winninger | ... | M. Novella - Photographer | |
| Alan Hale | ... | Hubert | |
| Halliwell Hobbes | ... | Roget - Boretti's Butler | |
| Lennox Pawle | ... | Felix St. Jacques | |
| Russ Powell | ... | Monsieur Claudet | |
| rest of cast listed alphabetically: | |||
| Reginald Barlow | ... | Public Assistance Official (uncredited) | |
| Joseph E. Bernard | ... | Butler Saying Job Already Filled (uncredited) | |
| Ed Brady | ... | Merchant Seaman (uncredited) | |
| Nora Cecil | ... | Prison Nun (uncredited) (unconfirmed) | |
| Frankie Darro | ... | Larry Claudet - as a Boy (uncredited) | |
| Sherry Hall | ... | Waiter (uncredited) | |
| Tiny Jones | ... | Prisoner Behind Bars (uncredited) | |
| Robert Lees | ... | Undetermined Role (uncredited) | |
| Gus Leonard | ... | Landlord (uncredited) | |
| Theodore Lorch | ... | Felix - the Headwaiter (uncredited) | |
| Eric Mayne | ... | Medical School Professor (uncredited) | |
| Frank Reicher | ... | Arresting Detective (uncredited) | |
| Virginia Sale | ... | Charity Ward Nun (uncredited) | |
| Larry Steers | ... | French Officer in Club (uncredited) | |
Directed by | |||
| Edgar Selwyn | |||
Writing credits | ||
| Edward Knoblock | (play "The Lullaby") | |
| Charles MacArthur | (dialogue continuity) | |
| Ben Hecht | uncredited | |
Produced by | |||
| Irving Thalberg | .... | producer (uncredited) | |
Cinematography by | |||
| Oliver T. Marsh | (photographed by) | ||
Film Editing by | |||
| Tom Held | |||
Art Direction by | |||
| Cedric Gibbons | |||
Costume Design by | |||
| Adrian | (uncredited) | ||
Makeup Department | |||
| Cecil Holland | .... | makeup artist (uncredited) | |
Second Unit Director or Assistant Director | |||
| Earl Taggert | .... | assistant director (uncredited) | |
Sound Department | |||
| Douglas Shearer | .... | recording director | |
Camera and Electrical Department | |||
| Samuel Cohen | .... | assistant camera (uncredited) | |
| Eddie Fitzgerald | .... | second camera operator (uncredited) | |
| Kyme Meade | .... | assistant camera (uncredited) | |
| Charles Pollock | .... | still photographer (uncredited) | |
Costume and Wardrobe Department | |||
| René Hubert | .... | wardrobe | |
Other crew | |||
| Howard Dietz | .... | press representative (uncredited) | |
| Harry Rapf | .... | supervisor (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
Sin of Madelon Claudet, The (1931)
*** (out of 4)
Early soap opera with Helen Hayes who would end up winning the Best Actress Oscar for her performance here as Madelon Cludet, a woman who runs away from home and finds one disaster after another. She gives birth to a son but soon is railroaded into prison where she comes out of and agrees to tell the child that his mother is dead. She then turns to prostitution so that she can give the son money to go through medical school. If you don't like sappy stories then it's probably best to stay away from this thing as there's so much sugar running around that many will gag on everything that happens from the opening scene to the closing one. I must admit that there were times where I felt the filmmakers were beating the viewer over the head with the sentimental moments but the nice performances make this film worth viewing. Hayes is exceptionally good here as her character goes from one abuse to another and she perfectly nails each emotion no matter how raw it is. I also found her to be excellent under all the make up of the older woman as she pulled this off as well. Lewis Stone has a brief role but he's his typical excellent self and Robert Young plays the adult kid. The ending is one you'll see coming from a mile away but I thought it packed a good little punch. The editing is something else that really worked well and this can easily be seen during the sequence where we cut back and forth to the mother "working" and the son getting the benefits of it. The biggest problem is that the film plays out like several 15-minute short films put together as the story pretty much just builds itself up for a payoff and then we go to the next short sequence that will then build up for a quick payoff.