Waterfront couple raise their son to be a sea captain. He grows up to be rather snotty and rebels against drunken Beery. Valiant Dressler keeps things moving even as hubby ruins their ... See full summary »
In 1925, John becomes President of the prosperous Warren Bank when Maggie retires. Six years later, John, Helen and the two children are happy in their home, but the two mother-in-laws are ... See full summary »
The City of Chicago is gripped by an Axe Murderer. The streets are empty at night as there have been six murders and six people have been caught, but they are lunatics. Only one person has ... See full summary »
In the scene where Dressler is first in the Reducing Palar she pulls a lever that sends a chair crashing into glass. There is a huge swastika on the glass. See more »
[to her daughter Vivian]
Aw, come, pull yourself together, darling. Forget all about it. I tell you, there isn't a man in the world worth worrying about. I got to go up now. Your papa's in bed again with his stomach. I'm worried to death about him.
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Marie Dressler & Polly Moran Team-Up For Top Comedy
A Midwestern housewife comes to New York City to help her social-climbing sister run a fancy beauty salon & REDUCING parlor.
Marie Dressler shines in this movie vehicle tailored especially for her. With simple dignity & genuineness - and a crazy sense of humor - she captures the viewer's attention from her very first scene. Whether intimidating a ticket seller, attempting to climb into an upper berth, creating havoc in the salon, or prying an egg out of her little boy's mouth, she amply provides illustration why she was Hollywood's greatest & most beloved star in the early 1930's. There's never been another like her; she was completely unique & irreplaceable.
Receiving equal billing with Dressler is her frequent partner in mirth, the ubiquitous Polly Moran. This short, shrill, buxom comedienne could hold her own with the inimitable Dressler in the field of slapstick. Whether wallowing in a mud bath or trapped in a steam room, Moran is great fun as Marie's foil.
Anita Page & Lucien Littlefield have some good moments as Dressler's daughter & husband; but with Dressler & Moran on the loose, they're up against severe screen competition.
Movie mavens will recognize the unbilled Roscoe Ates as the stuttering railway ticket agent who has the misfortune to find Marie in his line.
It is important to note that the large glass swastika in the salon, which Marie inadvertently smashes, has nothing whatsoever to do with the Nazis. Rather it was an ancient symbol, even used by some Native American tribes, and was not infrequently seen as a trendy design or decoration.
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