Newly arrived in an up-market housing development, quiet ten-year-old Devon doesn't quite fit in. Ignoring the urgings of her social-climbing father, Devon chooses the company of Trent, who... See full summary »
Martin is a troubled young man. With a mother who insists on treating him like a child, a stepfather who can't wait to see the back of him, and a brother with Down's Syndrome shut away in ... See full summary »
Four one-for-all and all-for-one privates in the French Foreign Legion are all in jail for disorderly conduct, but they break out and rejoin their regiment and fight off a band of marauding... See full summary »
Sophisticated comedy: a trio of money hungry women who all have sugar daddies who keep them in the lap of luxury, even as they drive the men crazy. Each woman represents a different ... See full summary »
John Hanson (Conrad Nagel) is a bank teller and invests in stocks. He and his best friend (another bank teller) Phil Wilson (Robert Ames) live at a boarding house run by his Swedish ... See full summary »
Ina Claire had big eyes, an upturned nose, a precision of inflection to rival Judy Holliday's, and a way of dominating a room the moment she entered it. Not conventionally pretty, and too old for this sort of of dewy-young-thing part (she was about 40), she's nevertheless a joy to watch. The movie, from a mildly successful Donald Ogden Stewart play, is one of those drawing-room comedies that pretends the Depression never happened and spends most of its time arranging and rearranging couples. It's fluff, and with, shall we say, a last-minute happy ending one doesn't believe. But Claire is so watchable, with more intelligence than a woman could profitably employ in those days, and Myrna Loy is a delectable rival. There's also Robert Williams, a fine light comedian (check out Capra's "Platinum Blonde") who died tragically young. Good time capsule, and one of the few 1931 movies you can show your contemporary friends without blushing.
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