Rico is a small-time hood who knocks off gas stations for whatever he can take. He heads east and signs up with Sam Vettori's mob. A New Year's Eve robbery at Little Arnie Lorch's casino ... See full summary »
Edward G. Robinson,
Douglas Fairbanks Jr.,
It's the early days of the F.B.I. - federal agents working for the Department of Justice. Though they've got limited powers - they don't carry weapons and have to get local police approval ... See full summary »
Tom Powers and Matt Doyle are best friends and fellow gangsters, their lives frowned upon by Tom's straight laced brother, Mike, and Matt's straight laced sister, Molly. From their teen-aged years into young adulthood, Tom and Matt have an increasingly lucrative life, bootlegging during the Prohibition era. But Tom in particular becomes more and more brazen in what he is willing to do, and becomes more obstinate and violent against those who either disagree with him or cross him. When one of their colleagues dies in a freak accident, a rival bootlegging faction senses weakness among Tom and Matt's gang, which is led by Paddy Ryan. A gang war ensues, resulting in Paddy suggesting that Tom and Matt lay low. But because of Tom's basic nature, he decides instead to take matters into his own hands. Written by
Further connection to the Charles Dion O'Bannion reference is that the rival gang in the film are led by "Schemer Burns", an obvious reference to the real-life "Schemer Drucci", who was part of the North Side Gang led by O'Bannion. See more »
The movie open with the year 1909. A few minutes into the film, Tom and his friend are scurrying up and down an escalator in a department store. Escalators only existed on paper in 1909 and were not in use until about 20 years later when the movie was made. See more »
Gee, she's a honey. I could go for her myself.
What do you mean, you could go for her yourself? You could go for an eighty year old chick with rheumatism.
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Most films made in the early 30s are entertaining only as period pieces that give us a glimpse into another era. Often they are so dated that they've become unintentionally funny.
The Public Enemy is a totally different thing. It is such a well-crafted and honest film that it still has the power to shock us. The violence in this film is every bit as brutal as anything in a modern "gangsta" flick, even though some of it takes place off-camera.
Based on the stills I had seen of the grapefruit scene, I thought it would be a light-hearted moment. In fact, it's anything but. In that encounter, Cagney's character exhibits a total disregard for others that is downright chilling.
The final scene is extremely disturbing. You won't forget it.
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