The Public Enemy (1931)

A young hoodlum rises up through the ranks of the Chicago underworld, even as a gangster's accidental death threatens to spark a bloody mob war.

Director:

William A. Wellman

Writers:

Kubec Glasmon (by), John Bright (by),

Stars:

James Cagney, Jean Harlow, Edward Woods

Nominated for 1 Oscar. Another 1 win.

Cast

Complete credited cast:
James Cagney	...	Tom Powers
Jean Harlow	...	Gwen Allen
Edward Woods	...	Matt Doyle
Joan Blondell	...	Mamie
Donald Cook	...	Mike Powers
Leslie Fenton	...	Nails Nathan
Beryl Mercer	...	Ma Powers
Robert Emmett O'Connor	...	Paddy Ryan (as Robert O'Connor)
Murray Kinnell	...	Putty Nose

Storyline

Tom Powers and Matt Doyle are best friends and fellow gangsters, their lives frowned upon by Tom's straight laced brother, Mike, and Matt's straight laced sister, Molly. From their teen-aged years into young adulthood, Tom and Matt have an increasingly lucrative life, bootlegging during the Prohibition era. But Tom in particular becomes more and more brazen in what he is willing to do, and becomes more obstinate and violent against those who either disagree with him or cross him. When one of their colleagues dies in a freak accident, a rival bootlegging faction senses weakness among Tom and Matt's gang, which is led by Paddy Ryan. A gang war ensues, resulting in Paddy suggesting that Tom and Matt lay low. But because of Tom's basic nature, he decides instead to take matters into his own hands.

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Plot Keywords:

gangster | prohibition | death | grapefruit | best friend | 

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Genres:

Crime | Drama

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Details

Country:

USA

Language:

English

Release Date:

23 April 1931 (USA)

Also Known As:

Beer and Blood

Filming Locations:

Warner Brothers Burbank Studios - 4000 Warner Boulevard, Burbank, California, USA

Company Credits

Production Co:

Warner Bros

Technical Specs

Runtime:

83 min

Sound Mix:

Mono (Brunswick Radios Used Exclusively)

Color:

Black and White

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

At about half an hour into the film, there is a sign indicating a showing of the Duke Ellington film, Black and Tan. Since "The Public Enemy" has much to do with Prohibition, this is a clever pun by the filmmakers, as a black and tan is also a common mixed drink (typically stout and ale, hence its name).

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Goofs

In the scene where Tom Powers and Matt Doyle are strafed by assassin's machine guns, we see Cagney ducking behind the corner of a building. Bullets suddenly and violently hit and tear up the concrete corner into big pock-marked chips an eye-blink after he ducks. But in subsequent shots, the machine gun damage to the concrete is gone.

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Quotes

Tom Powers: So beer ain't good enough for you, huh?
Mike Powers: Do you think I care if there was just beer in that keg? I know what's in it. I know what you've been doing all this time, how you got those clothes and those new cars. You've been telling Ma that you've gone into politics, that you're on the city payroll. Pat Burke told me everything. You murderers! There's not only beer in that jug. There's beer and blood - blood of men!
[...]

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Connections

Referenced in The Departed (2006)

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Soundtracks

"I Surrender Dear"
(1931) (uncredited)
Music by Harry Barris
Played in Gwen's apartment

User Reviews

83 minutes of Cinematic Bliss

Larger than life classic that chronicles the life of a street hustler turned crime lord in prohibition Chicago, based loosely on the various antics of the Irish mega-hoodlums, O'Bannon and Moran.

While we may never literally create a time machine, these old movies give you the miracle of observation at least of what life was once like. Sadly many of the old films have been destroyed through neglect, so the pickings are very slim. Public Enemy is one of the best old movies available. For only the sheer pleasure of seeing what all the fuss was about in Cagney and Harlow, it's worth a viewing. Director Wellman creates some extremely lasting images you won't want to miss, and it almost makes me think of the original Frankenstein for that reason. The final sequence especially is a dramatic example of lasting imagery in film, quite an unforgettable experience. If you like Godfather, Scarface, Goodfellas, and who doesn't, you owe it yourself to watch what may be the patriarch of the entire genre. Interestingly, while the film has a campy disclaimer demonizing the subject matter and mandating public action in order to address the evils of organized crime, it's rather obvious that the producers new exactly what they were really doing by making a film like this. Brutal as some of the action is, Cagney's charisma glorifies the gangster as much as Coppola, Scorsese and all the rest glorify modern organized crime. See it for yourself!!!