It's the early days of the F.B.I. - federal agents working for the Department of Justice. Though they've got limited powers - they don't carry weapons and have to get local police approval ... See full summary »
Tom Powers and Matt Doyle are best friends and fellow gangsters, their lives frowned upon by Tom's straight laced brother, Mike, and Matt's straight laced sister, Molly. From their teen-aged years into young adulthood, Tom and Matt have an increasingly lucrative life, bootlegging during the Prohibition era. But Tom in particular becomes more and more brazen in what he is willing to do, and becomes more obstinate and violent against those who either disagree with him or cross him. When one of their colleagues dies in a freak accident, a rival bootlegging faction senses weakness among Tom and Matt's gang, which is led by Paddy Ryan. A gang war ensues, resulting in Paddy suggesting that Tom and Matt lay low. But because of Tom's basic nature, he decides instead to take matters into his own hands. Written by
As Tom and Matt leave the fur warehouse after their abortive robbery attempt early in the film, Matt is clearly seen throwing down his gun on the roof of the building; but after they slide down the drainpipe and run to freedom through the alley both Tom AND Matt throw their guns onto a nearby roof, even though we have already seen Matt discard his. See more »
[Tom shuffles to the breakfast table in his pajamas. He's just finished a demanding call with Nails Nathan]
Ain't you got a drink in the house?
Well, not before breakfast, dear.
... I didn't ask you for any lip. I asked you if you had a drink.
I know Tom, but I, I wish that...
...there you go with that wishin' stuff again. I wish you was a wishing well. So that I could tie a bucket to ya and sink ya.
Well, maybe you've found someone you like better.
[...] See more »
"The Godfather" trilogy and "Goodfellas" owe a lot to this gangster film that preceded them both by at least fifty years. "The Public Enemy" was perhaps one of the first mob films that followed the rise and fall of a gangster and showed not only the implication of his actions on himself but on his family as well.
The film is far from perfect. The first ten minutes of the film in which we are shown a glimpse into the characters' childhood are jerky at best and feel as if much of it was left on the cutting room floor. The movie's incessant fast pace thereafter don't allow for much to sink in, but Cagney saves the day with an absolutely fiery performance. Not one person is spared from his bubbling anger and ferocious delivery.
Finally, the ending will leave you gasping - even by today's standards.
"The Public Enemy" is a must see for any true fan of the mob movie genre.
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