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Possessed (1931)

Passed | | Drama, Romance | 21 November 1931 (USA)
Ambitious factory Girl Marion Martin meets a handsome well-to-do, but he's interested in her as a mistress, not a wife.

Director:

(uncredited)

Writers:

(play), (adaptation) (as Lenore Coffee) | 1 more credit »
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Cast

Complete credited cast:
...
...
Mark Whitney
...
Al Manning
...
Wally (as Skeets Gallagher)
Frank Conroy ...
Travers
Marjorie White ...
Vernice
...
John Driscoll
...
Mother
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Storyline

Marion is a factory worker who hopes to trade the assembly line, for a beautiful penthouse apartment. Mark Whitney, a wealthy and influential lawyer can make her dreams come true, but there is only one problem, he will give her everything but a marriage proposal. Will this affair ever lead to marriage? Written by Kelly

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Certificate:

Passed | See all certifications »
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Details

Country:

Language:

| |

Release Date:

21 November 1931 (USA)  »

Also Known As:

The Mirage  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.20 : 1
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Did You Know?

Trivia

The short films Trader Hound (1931) and I Love a Lassie (1931) played before this film in some theaters during its original theatrical run. See more »

Quotes

Marian Martin, aka Mrs. Moreland: Oh, Mark, I feel as if I was walking on the edge of a precipice.
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Connections

Remake of The Mirage (1924) See more »

Soundtracks

Little Annie Rooney
(1890) (uncredited)
Music and Lyrics by Michael Nolan
Sung a cappella by Wallace Ford on the carousel
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User Reviews

 
Rather great stuff, if you can find a watchable copy...natural and warm
2 May 2014 | by (United States) – See all my reviews

Possessed (1931)

A wonderful Joan Crawford film not to be confused with her second, completely unrelated, also wonderful movie of the same title (yes) from 1947. This one, to be sure, also stars Clark Gable, and it dates from the years when Gable and Crawford had an intermittent, steamy affair. The chemistry is good, the filming excellent (and sometimes breathtaking), and the overall story a lively pre-code, Depression-era tale of succeeding.

But success at what cost? That's the key. You love Crawford's rise, and her methods are sincere even if not as sweet and homespun as the first scene would imply. It's not that she's corrupted, but that she discovers the excitement of the big city, and the truth that there really is sincerity there as much as in the little town she came from.

Gable represents every girl's dream, of course. He's suave, warm, funny. And rich. Their interactions are natural throughout, and the pace lively (as most of the famous pre-Code films are).

The filming is excellent, including a somewhat famous long take of Crawford, near the beginning, watching a train slowly amble by as a parade of different scenes unfolds through each window. It's worth seeing just for that scene alone (if you like great cinematography, and the aura of old Hollywood).

Clarence Brown is the uncredited (!) director here, and he's terrific. See "A Free Soul" made at the same time for another (even better) film showing off his ability to make dialogs crisp and true. (He's more famous for his many movies with Garbo, but he did a slew with Crawford.)

If you think there is a predictability here, you're going to be partly wrong. See this one, not because it's a classic, but because it's very very good, and forgotten. You will have trouble finding a good version, however. The one I found was on iTunes and it was so terrible (harsh tones, highlights so washed out you couldn't see their faces in many scenes) I don't recommend it. (I wrote to complain and got a quick refund, an apology, and a promise to look into it. I don't know if that fixed the problem, however, in Spring 2014.) Anyway, find a good copy somehow. Do it.


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