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Reporter Gallagher loves reporter Smith who marries Anne. He's soon bored being married to a socialite and asks Gallagher to help him write a play. She arrives with a bunch of reporters and the mansion turns into a party. Anne arrives and orders them out and Smith goes with them. Written by
Ed Stephan <email@example.com>
During its 1950 reissue it was double-billed with "Gilda." See more »
When Stew Smith is married, his colleagues make fun of him in the press room. At that moment his wife calls and he walks over to the phone with his pipe in his mouth. However, when he picks up the phone, the pipe disappears. See more »
That was kind of a rotten thing to do, Anne. After all, Gallagher's my friend. The least you can do is be courteous to her.
I thought I was very charming, Stewart.
You did? That's a lot of hooey. I'll go and apologize.
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Terrific comedy about the newspaper biz, class struggle and true love
Stew Smith is a salt of the earth, street smart, cynical wisecracking reporter who's proud of his $75 a week salary. While tracking a story about a rich kid involved in a breach of promise suit, he gets involved with the Schuylers. This group of nitwits is a super-rich family trying desperately to avoid bad publicity. Stew catches the eye of the gorgeous Ann Schuyler, and the two fall madly in love to the absolute horror of Anne's snooty mother (who unfortunately is afflicted with gastritis). Indeed, Stew and Ann actually get married--with predictably catastrophic results. How will the filmmakers deliver Stew out of Ann's arms and into the arms of Gallagher--the equally gorgeous reporter who's madly in love with Stew?
This wonderful Frank Capra comedy must have appealed greatly to the sentiments of the 1931 audience at the very depths of the Depression. The Schuylers (and their idiot lawyer Dexter Grayson) were everything that people loved to hate--snooty, superior, stupid, wholly undeserving of their vast riches. They are mocked ruthlessly, while Stew Smith and Gallagher, as worthy representatives of the working class, are portrayed with understanding and compassion. Stew briefly embraces the idle life of the super-rich (even to wearing garters), but, of course, this doesn't last long.
This is more than just a film for Frank Capra fans--it's a glorious spoof of the old-time newspaper business and a tasty bit of social history.
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