Ruby falls in love with small-time con man Eddie. During a botched blackmail scheme, Eddie accidentally kills the man they were setting up. Eddie takes off and Ruby is sent to a reformatory for two years.
Fisherman Dutch marries cannery worker Hattie. He quits his poorly paid job to concentrate on getting better working conditions as union leader. Unfortunately, the union members disagree ... See full summary »
American showgirl Suzy is in London in 1914. She loves Irish inventor Terry who works for an engineering firm owned by a German woman. After their marriage Terry is murdered and Suzy flees ... See full summary »
Reporter Gallagher loves reporter Smith who marries Anne. He's soon bored being married to a socialite and asks Gallagher to help him write a play. She arrives with a bunch of reporters and the mansion turns into a party. Anne arrives and orders them out and Smith goes with them. Written by
Ed Stephan <firstname.lastname@example.org>
During its 1950 reissue it was double-billed with "Gilda." See more »
When Stew Smith is married, his colleagues make fun of him in the press room. At that moment his wife calls and he walks over to the phone with his pipe in his mouth. However, when he picks up the phone, the pipe disappears. See more »
I've met some roughies in my time, but you are without a doubt the lowest excuse for a man I've ever had the misfortune to meet
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Platinum Blonde launched so many careers - the most infamous being Frank Capra and Jean Harlow. It is not a perfect film by any stretch of the imagination. The sound is bad, Harlow is terribly miscast, and poor Loretta Young struggles valiantly to bring depth to a part that is the filmic equivalent of wallpaper. As many have said before me, she and Harlow would have done well to reverse roles.
But the greatest on screen portrayal of fresh, modern, naturalistic acting (a style that later would be attributed to James Dean) is from the wonderful, refreshingly brilliant young Robert Williams in 1931!!!!! I would never mark this film as a masterpiece, yet I would encourage all struggling male actors to study this man's work as a prime example of how to dominate a scene without any artifice or aggression. Every time he enters a room, the whole film lights up, and every time he leaves, all the other actors seem to lose their purpose and energy.
I have never seen such simple perfection, and I am saddened to no end to learn of his untimely death at thirty-four, just as he was starting to get roles worthy of his genius. I could not get enough of this man's work, and regret having so little of it to view. An absolute must see for Robert Williams alone!
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