Ken Maynard, Hoot Gibson and Bob Steele, the Trail Blazers, have been summoned to Death Valley to apprehend the gang robbing the stagecoaches of gold shipments. Arriving in town they learn ... See full summary »
Oliver's mother, a penniless outcast, died giving birth to him. As a young boy Oliver is brought up in a workhouse, later apprenticed to an uncaring undertaker, and eventually is taken in ... See full summary »
James A. Marcus,
In this gritty film noir, cynical ex-RAF flyer Morgan, bored with civilian life, joins a break-in gang led by Narcy. On his first job, the getaway car crashes after killing a policeman. ... See full summary »
Honest Plush Brannon is a con-man thrown out of the Barbary Coast in San Francisco in the 1880s and headed for the gold rush region of Nevada. He discovers a real mine which lead to several complications.
Roy Del Ruth
Pamela Muir is a lovely veterinarian, who thinks the animals should run free. Steve Stratton is a hunter, who hires natives to assist with the capture and care of the animals. One day ... See full summary »
A car plunging over a cliff kills its two occupants identified as newspaperman Lewis Forrester and actress Alison Ford (Terry Moore). Surviving Lewis are his two brothers, Tim (Robert ... See full summary »
A biker's brother is killed while investigating the kidnapping of a young boy, the byproduct of a war between two crime families. The biker vows to get revenge by finding the kidnapped boy and destroying the two families.
Some fine acting, by adults and children alike enliven this screen version of Booth Tarkington's novel in his Penrod series about ordinary kids living ordinary lives. The humor is nicely done and low-key, in the style of Roach's OUR GANG series and features some excellent comedy performances by such adult actors as Johnny Arthur and the great Zasu Pitts and, interestingly, the director's daughter as Penrod's older sister, Marjorie -- the serial numbers were rubbed off a couple of decades later for a couple of Doris Day movies, BY THE LIGHT OF THE SILVERY MOON and ON MOONLIGHT BAY.
The time of the story is advanced from the 19th century milieu of the stories to a contemporary setting. It might be interesting to see a version of the stories set in the era they were intended to represent, but the people involve have a certain timelessness about them.
Of more interest is the director, William Beaudine, whose career would go from directing Mary Pickford in the 1920s, to slide in the 1930s, until he wound up directing Bowery Boys features and ended his career in the 1960s directing such films as JESSE JAMES VERSUS DRACULA'S DAUGHTER. Like Alan Dwan, he was one of the leading silent film directors who kept their heads down in the sound era and worked forever. Here, equipped with a decent budget, script and actors, he turns out a fine little movie. It is on the tame side for modern tastes, but it has its charms. Give it a try.
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