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Parlor, Bedroom and Bath (1931)

Passed | | Comedy | 28 February 1931 (USA)
A man tries passing off a socially awkward fellow as a Casanova in the hopes of marrying off his would be sister-in-law.

Director:

Writers:

(play) (as Charles W. Bell), (play) | 2 more credits »
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Cast

Complete credited cast:
...
...
Polly Hathaway
...
Jeffrey Haywood
...
Bell Hop
Dorothy Christy ...
Angelica Embrey
Joan Peers ...
Nita Leslie
...
Virginia Embrey
...
Leila Crofton
...
Detective
Walter Merrill ...
Frederick Leslie
...
Butler (as Sidney Bracy)
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Storyline

Jeff wants to get married to Virginia, but Virginia won't marry until her older, hard-to-please sister Angelica gets married off first. Jeff pretends that a shy, never-married nobody he has just met is really a great lover, in order to get Angelica interested in him. Written by Snow Leopard

Plot Summary | Add Synopsis

Taglines:

The real laugh panic of the year - he's a ladies' man. (ad cut).

Genres:

Comedy

Certificate:

Passed | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

28 February 1931 (USA)  »

Also Known As:

Parlor Bedroom and Bath  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.20 : 1
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Did You Know?

Trivia

A modern source lists Eugene Pallette in the cast. Although he was in the 1920 version, he was not in this film. See more »

Quotes

Leila Crofton: Well, I should think she'd be able to take one look at you and realize that if you were left alone with a woman... why...
Reginald Irving: We'd both be safe.
[pause]
Reginald Irving: I-I was in a house one time, aaall alone with the most beautiful French maid... and she tried to kiss me. She was baking a pie...
Leila Crofton: And what did you do?
Reginald Irving: ...I ate the pie.
See more »

Connections

References One Week (1920) See more »

Soundtracks

Step On It
(uncredited)
Music by Mel Kaufman
See more »

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User Reviews

 
OK pre-code farce, but a bad vehicle for Buster
15 November 2009 | by (United States) – See all my reviews

If you ignore that this film is part of the downhill slide Buster Keaton's professional life is experiencing at the hands of MGM, this is a rather enjoyable example of a pre-code farce, particularly the last half of the film that is set at the hotel. The first half is rather slow and clumsy, and has a rather unbelievable premise - a wealthy young woman, Angelica, is only attracted to womanizing cads, and furthermore only wants to marry such a man. Normally, this would just be her problem, but her younger sister wants to marry, and due to custom cannot until the older sister does so. The younger sister's fiancée enlists Buster's character, Reggy, to play the part of international playboy and hopefully future husband for Angelica since Reggy is quite attracted to the older sister, but is completely inexperienced with women.

The second half of the film is the amusing part. It's set at a hotel where Buster is supposed to have a prearranged rendezvous with a woman and be discovered by Angelica, thus sealing his reputation as a cad and stealing her heart. Unfortunately, Buster takes the wrong woman to the hotel - and she's a woman who happens to have an insanely jealous husband. The woman Buster is supposed to meet, Charlotte Greenwood, is the funniest part of this film. She literally steals the "training session" scene she has with Buster. Cliff Edwards has some funny lines too as the hotel bell boy who keeps walking in on Keaton who is always in the embrace of a different woman each time.

It's just so sad to see MGM casting Buster once again as a clueless bumbling fool and doing their best to make it look ridiculous that Buster could ever be considered a ladie's man. Keaton does the best he can with the material he is given, but it makes you wonder what could have been if anyone had listened to his ideas about making comedies in the sound era.

As for film quality, I have never seen a copy of this film that was not unacceptably fuzzy. The only one I'd recommend is the copy that comes with "Industrial Strength Keaton". That copy has been restored and it shows. Plus it has a commentary track and there is a featurette included about Keaton's mansion, the Italian villa, which is the setting for the first half of this film.


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