6.6/10
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Other Men's Women (1931)

Passed | | Drama, Romance | 17 January 1931 (USA)
Events take an unhappy turn for two Bill and Jack, two locomotive engineers, after Bill is attracted to his best friend's wife.

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(by), (screen adaptation) | 1 more credit »
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Cast

Complete credited cast:
...
...
Lily
...
Jack
...
Ed
Fred Kohler ...
Haley
J. Farrell MacDonald ...
Peg-Leg
...
Marie
Lillian Worth ...
Waitress
Walter Long ...
Bixby
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Storyline

Railroad fireman Bill White is a carefree ladies' man with an irresponsible streak. His buddy Jack Kulper, an engineer, is more solid and reliable. Bill comes to stay a while with Jack and his wife Lily. Bill and Lily fall in love, but not wishing to hurt Jack, Bill leaves without explanation. When Jack confronts Bill about his suspicions, the two fight and Jack is seriously injured. Bill is consumed with guilt and tries to make good, but Jack has his own ideas about that. Written by Jim Beaver <jumblejim@prodigy.net>

Plot Summary | Add Synopsis

Taglines:

Terrific Spectacle! A Mighty Love Story! A Cast Supreme! See more »

Genres:

Drama | Romance

Certificate:

Passed | See all certifications »
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Details

Country:

Language:

Release Date:

17 January 1931 (USA)  »

Also Known As:

The Steel Highway  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

| (Turner library print)

Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Unusually for a film of this time period, the opening credits are not accompanied by music. See more »

Goofs

When Bill and Lily are embracing in the kitchen in front of the stove the moving shadow of the boom microphone is visible on the wall below the window behind them. See more »

Quotes

Lily: He's blind. Stone blind.
See more »


Soundtracks

On the 5:15
(1914) (uncredited)
Music by Henry I. Marshall
Lyrics by Stanley Murphy
Sung a cappella by the railroad workers
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User Reviews

Undeservedly obscure
1 February 2004 | by See all my reviews

A fast-paced tale of love, action and sacrifice - the kind of Hollywood staple they don't make anymore. More than a little melodramatic and very much a period piece, the film is worth watching most of all for some stunning visual effects and an absolutely marvelous (supporting) performance by Joan Blondell in the kind of role that suited her perfectly: a wisecracking, hash-slinging dame - a floozy who thinks she's looking for love, but is only out for a good time. Mary Astor is convincing in the lead role, but Joan steals the show.

A curiously ambiguous ending might make you wonder what point the film was trying to make about morality. Be assured that after the Code was in effect, this picture would have ended differently.


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