Stan and Ollie are down on their luck and beg at an old lady's house for food. While they are eating they overhear a villainous landlord (Finlayson) threatening to evict her if she does not...
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Oliver's in trouble with his wife after missing a payment on their furniture, having given the money to Stanley, who used it instead to pay Mrs. Hardy for his room and board. While doing ... See full summary »
Oliver's plans to marry his hefty sweetheart go awry when the girl's father gets a load of her intended groom. They then elope in a tiny car much too small for their combined dimensions, ... See full summary »
Jilted by his girlfriend, "Jeanie-Weenie," Oliver joins the Foreign Legion to forget, bringing Stanley along with him. They wilt under the scorching desert sun and under the harsh ... See full summary »
Oliver's house is in a shambles after a wild party, and his wife is due home at noon. He calls Stanley to help him fix the place up, and the typical catastrophies ensue. Somehow, however, ... See full summary »
Plans for a nice Sunday picnic seemed doomed even before Stanley and Oliver and their families get into the car. First the boys get into a fight and destroy all the sandwiches. Then the car... See full summary »
Stan and Ollie give evidence which convicts vicious gangster Butch. They plan to leave town and advertise for a traveling companion to share expenses. Butch's girl replies to the advert and... See full summary »
Novice policemen Stanley and Oliver, eating lunch in their patrol car, nearly have their spare tire stolen by a thief and his sassy partner. They then miss the broadcast address of a ... See full summary »
Stan and Ollie take a trip into the mountains ('the high multitude') so that Ollie can recover from gout. Bootleggers have dumped their moonshine in the well from which the boys sample ... See full summary »
It's the morning of Oliver's wedding to oil baron Peter Cucumber's daughter. While waiting for the taxi to take them to the ceremony, Oliver and his best man Stanley become absorbed in a ... See full summary »
Stan and Ollie are down on their luck and beg at an old lady's house for food. While they are eating they overhear a villainous landlord (Finlayson) threatening to evict her if she does not pay the mortgage. Not realizing that they are hearing a rehearsal for a play, the boys decide to auction their car to help. In the confusion surrounding the auction, Stan finds himself in possession of a fat wallet and Ollie accuses him of stealing the old lady's money. When the truth is revealed, Stan exacts painful retribution. Written by
Stephen Harrison <firstname.lastname@example.org>
Stan Laurel suggested the ending, because his daughter was upset that Oliver Hardy was always hurting him. The tables were turned and Stan hurts Ollie, as a way to explain to her that they were "only pretending to hurt each other" See more »
[Ollie shoves Stan through the door]
What on earth is the matter?
Madam, my one-time friend Mr. Laurel has a confession to make.
Yes. He's the one who stole your money and left you at the mercy of that villain!
There must be some mistake.
There's no mistake. It's all too true. Why I caught him red handed.
There hasn't been any money stolen. We were just rehearsing a play for the community players.
[after long pause; nervously twiddles his tie]
I must have made a faux pas.
[...] See more »
Laurel and Hardy are destitute living by the river in a tent and their car. When Laurel manages to destroy most of their few remaining possessions they are forced to beg door to door for food. A misunderstanding with a kindly old lady leads the duo into a kind act that ultimately leads to a division between them.
This film has no one major strong scene that stuck in my mind, but it does have a consistently funny tale that made me laugh the whole way through. The plot starts with the usual `down on their luck' set up that works very well Laurel playing with fire is well done. The actual plot device used to create the main story is a little contrived but it is played so well that it doesn't really matter.
All though the short there are lots of nice touches.- Hardy's looks are as good as ever. Some fans may feel that this is more low key than they expected due to the lack of a big sequence, but the smaller, consistent jokes work well to produce a short that lacks a major peak, but then manages to have no dips either.
The cast are good. The little old lady is a little clichéd and James Finlayson has little of value to do, but Laurel and Hardy are both good. Here Laurel keeps his usual character but he also adds a tougher edge. In other shorts he has tended to be one or the other (often being tougher in later films) but here he gets the mix right (apparently due to Laurel wanting to let his daughter see her dad stand up for himself onscreen). Hardy is as good as always.
Overall this lacks peaks but makes up for it by being consistently funny from the opening campfire sequence right through to logs a-flying!
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