After two sailors are conned into buying a lame race-horse, they go ashore to sort out the problem, but when they realize that the horse is one of a pair of identical twins, their plan for revenge becomes more complicated.
Tom Merriam signs on the ship Altair as third officer under Captain Stone. At first things look good, Stone sees Merriam as a younger version of himself and Merriam sees Stone as the first ... See full summary »
Casino operator Johnny Lamb hires down-on-her-luck socialite Lucille Sutton as his casino hostess, in order to help her and to improve casino income. But Lamb's pals fear he may follow ... See full summary »
While stowing away on a ship to America, the boys get involuntarily pressed into service as toughs for a pair of feuding gangsters while trying desparately to evade the ship's crew. After arriving stateside, one of the gangsters kidnaps the other's daughter - and it's up to our unlikely heroes to save the day. Written by
One of over 700 Paramount Productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since. See more »
When Groucho and Chico hide under the table in the chart room (before their encounter with the Captain) Chico has a cigarette in his right hand. He didn't have it before diving under the table. See more »
Oh, engineer? Will you tell them to stop the boat from rocking, I'm going to have lunch.
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The opening credits are painted on the sides of barrels (In the film's opening, the Marx Brothers' characters are stow-aways on a cruise ship, hiding in barrels marked "Kippered Herring"). See more »
How does one review a plotless movie? In "Monkey Business," the Marx Brothers spend the first hour running around on a ship, then they crash a fancy party, then they fist-fight gangsters in a barn. Is there connecting material? Well, yeah - of the thinnest sort imaginable. Does the lack of a coherent plot hurt the film? Not really. Bottom line: it's hilarious. Groucho in particular steals the show with his weird combination flirting/insulting routines.
It's worth noting that, while I laughed a lot at "A Night at the Opera," I laughed even more at this movie. In fact, I was in exquisite pain by the end. Of course, "Opera" actually makes some sense, so it might still be the better movie.
Definitely the best Marx Brothers film that doesn't feature Margaret Dumont, and the strongest showcase for the brothers' talents as physical comedians.
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