After Florence Fallon's father dies unappreciated in the church where he preached for many years, she becomes embittered and loses faith. She teams up with Horsby, a con man, and performs ... See full summary »
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After Florence Fallon's father dies unappreciated in the church where he preached for many years, she becomes embittered and loses faith. She teams up with Horsby, a con man, and performs fake miracles for profit. But the love and trust of a blind man restores her faith in God and her fellow man. Written by
John Oswalt <jao@jao.com>
When Mrs. Higgings rushes into the dressing room to tell Florence about the 'miracle,' the shadow of the boom mic can be spotted falling across her arm. See more »
Quotes
Hornsby:
Religion is great if you can sell it, no good if you give it away.
See more »
Crazy Credits
"Beware of false prophets which come to you in sheep's clothing..... Mat. VIII, 15. See more »
"Holy Holy Holy! Lord God Almighty!"
(1861) (uncredited)
Music by John B. Dykes (1861)
Hymn by Reginald Heber (1827)
Sung by Parishioners in Church See more »
Stanwyck's performance in this early Capra film is underplayed, believable and quite charming. One can see how, from even this early stage, she was a performer of unique talents, perfectly suited for the new technology of sound. Her acting style is timeless, quite different from the histrionic style of the early talkies. Capra and Stanwyck took a story which could have been a ludicrously overplayed melodrama of the early 30's, and turned it into something quite captivating. Clever bits of exposition and some snappy dialogue round out this entertaining early entry in the Capra canon.
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Stanwyck's performance in this early Capra film is underplayed, believable and quite charming. One can see how, from even this early stage, she was a performer of unique talents, perfectly suited for the new technology of sound. Her acting style is timeless, quite different from the histrionic style of the early talkies. Capra and Stanwyck took a story which could have been a ludicrously overplayed melodrama of the early 30's, and turned it into something quite captivating. Clever bits of exposition and some snappy dialogue round out this entertaining early entry in the Capra canon.