Sardonic detective Shane, thrown out of one town for bringing trouble, heads for home and his ex-partner's detective agency. The business is in a sad way, and Shane, who has had the ... See full summary »
A young woman is on trial for murder. In flashback, we learn of her struggles to overcome poverty as a teenager -- a mistaken arrest and prison term for shoplifting and lack of employment ... See full summary »
Five members of a teen-age gang, including leader Jimmy Smith, are sent to the State Reformatory, presided over by the melodramatically callous Thompson. Soon, Patsy Gargan, a former ... See full summary »
Jimmy writes the 'Up and Down Broadway' column for the New York Globe, and he is head over heels for Mary. But Mary is more interested in her career and is looking at starring on Broadway ... See full summary »
William A. Wellman
Douglas Fairbanks Jr.,
Mobster Tommy Gordon isn't worried about being sentenced to Sing Sing prison because his political pals have promised him a quick parole. A troublesome prisoner, he finally concedes that ... See full summary »
Sam Spade is quite the womanizer. When his secretary tells him the new customer waiting outside his office is a knockout, he wastes no time before seeing her. It turns out she's a knockout with money. And she wants to spend it on his services as a private detective. She has some story about wanting to protect her sister. Neither he nor his partner, Miles Archer, believes it. But with the money she's paying, who cares? The job proves to be more dangerous than either of them expected. It involves not just the lovely dame with the dangerous lies, but also the sweaty Casper Gutman, the fey Joel Cairo, and the thuggish young Wilmer Cook. Three crooks, and all of them are looking for the statuette of a black bird they call the Maltese Falcon. Written by
Vitaphone production reels #4808-4816 and #4781 (trailer) See more »
In Spade's apartment, Ruth opens a wound on Cairo's forehead. Shortly afterward, when Cairo goes to see Gutman, there is no sign of the wound. See more »
You're a close-mouthed man, sir.
No, I like to talk.
We'll talk if you like. And I'll tell you right now that I'm a man who likes to talk to a man who likes to talk.
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DWIGHT FRYE plays Wilmer Cook in this version! Imagine my amazement at finding this out. Don't get me wrong, Elisha Cook Jnr. was extremely good in the later version and Dwight's role is considerably smaller but if you asked me to pick which one was the deffinitive Wilmer I would have a very hard time. The role does not call for subtlety; Wilmer is a psychotic who enjoys his work a little too much. Both men do an admirable job playing a role that is more complex than appears on the surface. The audiences first impression is to laugh at the baby faced kid waving his big .45 automatics around and talking tough but as soon as we find out that not only is he not shy about using his weapons he is darn good with them too he becomes a frightening image because his young, fresh faced looks hide a true monster beneath the surface. Well done, Dwight. I have a new respect for this hard-to-find early version of the famous novel now and it's all thanks to you.
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